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From: Morten Franck Johnsen <morten@remove.sdata.no>
Date: Tue, 16 Sep 1997 16:48:46 +0200
Subject: Re: The Biggest Chill?
To: rec-music-gaffa@moderators.uu.net
Approved: wisner@gryphon.com
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Big chill? I shiver when I hear parts of Hello Earth, just before the choir sets in - when she sings "I get into...". The choir parts of that song are also chill material. Maybe this chill is more the mood and the harmonies than vocally:). Morten boots wrote: > > Hiya folks, > I've got a question for you that maybe you've never asked yourselves about > Kate's music... What single line of a Kate song (vocally) has caused the > most intense reaction? The biggest chill to roll through you as if > threatening never to let go... > > I though of that just recently when I was watch the Line, the Cross, and > the Curve...she hits a distinctively Kate note in And So Is Love that had > me (grown man that I am) shivering... predictably it was the last very > soulful iteration of the title line. > > Other times it's happened to me? > at the end of the Big Sky where she hits that unbelievable screech, > sustains it and pulls it down into a deep rip that sounds way too rich to > be some white woman. > > in This Woman's Work (with the help of the exquisite string arrangement) > Ohhh darlin, make them go away. > > During her duet with Peter Gabriel, doing Another Day, pretty much the > whole thing, really, but the very end... and I walk away > > During Under the Ivy, perhaps the strongest response of them all, just > because of the emotion range in the one segment > and it's not easy for me > to give away your secret > It's not safe > > Okay, so these are mostly the sad moments, but hearing Kate tug at my soul > has always been more a pleasure than most other musicians could provoke > from me in their most brilliant moments. > > I'd really love to hear from you, hear what moments do it to you. > > boots > (who's really glad he found this group)