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From: Ken Glasson <xtr36595301@xtra.co.nz>
Date: Mon, 21 Oct 1996 14:15:00 -0700
Subject: Re: Lionheart discussion
To: ABMarvick@aol.com
CC: love-hounds@gryphon.com
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References: <961010200425_123756579@emout08.mail.aol.com>
Sender: owner-love-hounds
> Although IED doesn't (of course) allow for the possibility that anything Kate > Bush has ever done is in any way flawed, he does agree with the principle > of the above comment. Those who disparage Lionheart are usually fans > who never felt the magic of the album *in November 1978*. IED's long > search for the new import album during that fall in Los Angeles, the instant > when he finally laid hands on the thing and was taken wondrously aback by > its mysterious cover photograph, and the moment when the sacred objeKT > finally sounded forth on his old phonograph, are experiences for which he > is forever grateful. Remember that in 1978 the sound of that voice and > the quality of the album's production were still rare and novel, and that > very little was yet known about Kate Bush at all in this country. By knowing > Kate's subsequent achievements we are all inclined to affix the stamp of > relative rank to each, and in such a competition what music could hope > to compete -- even Kate's own Lionheart? But even the "lesser books > of the Bible" are endowed, so IED hears, with the grace of God. > > -- Andrew Marvick (IED) > S R I I think this comment could in some ways be applied to all of the albums. It is easy to forget what the feeling was when you first got it. I still have fond memories of Lionheart and appreciate it today, if only because my sister had a huge Kate dressed up as a Lion photo on her wall that I spent many years trying to steal. It was a long time ago in a place far less cynical and her music trashed everything else on the day... Ken.