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From: "John D. Walker" <jdwalker@post.cis.smu.edu>
Date: Sun, 24 Mar 1996 20:05:39 -0600 (CST)
Subject: Re: Musicians
To: Love Hounds <love-hounds@uunet.uu.net>
Content-Type: TEXT/PLAIN; charset=US-ASCII
Sender: owner-love-hounds@gryphon.com
I just wanted to second the notion that it would have added to Kate's considerable talents had she played live a bit more, and prehaps toured again. As Len said, one tour at age 20-21 when you're new in the business and still finding your way, as it were, does not quite cut it. I have learned more about getting good sounds, what works and what doesn't for a given song, communicating with people, etc., from live performances than I could ever learn cooped up by myself demoing stuff. And that experience rolls back into the recording studio and makes you better. Kate has chosen to isolate herself from that experience. Well, she still makes great records, so it works for her, I guess, but knowing what live performance has done for me over the years I can't even imagine what she'd be doing had she not retired from the stage. Let's face it, folks, Kate is a control freak. Her whole creative process is very insulated and meticulous. Live performances are controlled anarchy. Things often misfire, and a lot of times you end up winging stuff on the fly. I think this is the real reason behind Kate's decision not to tour. She would rather not take the risk. Before everybody lights up their blowtorches, being a control freak does not imply that Kate is a bad person, or a inferior musician. Kate is unbelievably good at what she does, and I respect the hell out of her as a musician, singer, songwriter, and producer, or else I wouldn't be here. Just one Love Hound's opinion - John