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From: Richard Caley <rjc@lillith.demon.co.uk>
Date: Mon, 25 Mar 1996 07:07:56 +0000
Subject: Re: Musicians
To: rec-music-gaffa@moderators.uu.net
Distribution: world
Newsgroups: rec.music.gaffa
Organization: Dragons Anonymous
References: <Pine.3.89.9603241954.A19667-0100000@post.cis.smu.edu>
Sender: owner-love-hounds@gryphon.com
In article <Pine.3.89.9603241954.A19667-0100000@post.cis.smu.edu>, "\"John D. Walker\"" <jdwalker@post.cis.smu.edu> writes > >Let's face it, folks, Kate is a control freak. Her whole creative >process is very insulated and meticulous. Live performances are >controlled anarchy. Things often misfire, and a lot of times you end up >winging stuff on the fly. I think this is the real reason behind Kate's >decision not to tour. She would rather not take the risk. > I don't think this analysis works. She could have gone down the Jean Michel Jarre route and produce `live' performances which are so orchistrated and controlled that, short of a totaly melt down of the local power grid or something, there's no anarchy involved. I think I'd rather say that KaTe is a musician, but not a performer. She produces beautiful objects, wether those objects are recordings or images, but She decided She wasn't getting anything from producing them anew each night. Poetry has been like this for centuries or millenia, some poets perform, some just write. This has only been possible in music this century (give or take) with recording (notation isn't designed for this job). >Before everybody lights up their blowtorches, Squuk, click, click, click, ... WHOOOOOOOOOOOSSSSSSHHHHHH!!!!! -- rjc@lillith.demon.co.uk _O_ |< Turnpike evaluation. For Turnpike information, mailto:info@turnpike.com