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From: "Karen L. Newcombe" <kln@crl.com>
Date: Thu, 27 Oct 1994 10:32:18 -0700 (PDT)
Subject: Adverts target Love Hounds
To: love-hounds@uunet.uu.net
Content-Type: TEXT/PLAIN; charset=US-ASCII
I think someone working on publicity for Kate at Sony found out about r.m.g. a while back and they decided that advertising in computer magazines (Mondo, Wired) and in places specifically targeting those of us who can access the Net would be good for sales. (The following is not griping, but utter bewilderment, for those who can't hear my tone of voice.) Unfortunately they ignore the very wide array of people who buy Kate's work who are not among this group. While TRS was advertised in computer magazines, I saw no advertisements in magazines oriented towards women, who in my experience constitute a large part of Kate'd audience. I didn't see any ads in the Utne Reader, which is always stuffed with ads for new albums by artists who share an audience with Kate. I didn't see any ads in general topic magazines, for the huge number of people who aren't Kate fans perse, but who buy one of her albums now and again. I didn't see a poster campaign, but San Francisco is regularly plastered with record company posters and subway advertisements for everyone other than Kate. Sony lost sales by deciding to focus on thee and me, the folks who least needed any advertising to inform them. We already knew Kate had a new album. We knew just about to the minute when the video would be out. Why waste the $$ preaching to the converted? People ask me about once a week, "Doesn't Kate have a new album?" Yes, a year ago now. They have no idea because there was almost no ad campaign. They know because I mention it to them, or they heard a song somewhere. I fail to understand why a major artist would be so undersupported. I fail to understand how a major record company could have so pathetically little understanding of the demographics of their customers. Does anyone out there have a different take on this? Karen kln@crl.com