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From: bc106@freenet.carleton.ca (G. Timothy Walton)
Date: Sun, 16 Oct 1994 13:41:56 GMT
Subject: Re: Moments of...?pleasure?
Newsgroups: rec.music.gaffa
Organization: The National Capital FreeNet
References: <Pine.SOL.3.90.941015142242.15251C-100000@bullwinkle> <9410111839.AA28094@mhost.ida.his.se>
Reply-To: bc106@freenet.carleton.ca (G. Timothy Walton)
Sender: news@freenet.carleton.ca (Usenet News Admin)
In a previous article, dcfodor@ucdavis.edu (Danielle Fodor) says: >On Sat, 15 Oct 1994, G. Timothy Walton wrote: >> In a previous article, a94mikja@ida.his.se (Mikael Jakonen) says: >> >> >I seem to be one of very few who agree with you. While MoP is very well >> >made, I think its too much sentimental crap. Top of the City isn't one >> >of my favourites either. WSILY on the other hand is good, and so is >> >Constellation of the heart, and Big Stripey Lie too... >> >> Have to disagree with you. The Red Shoes, when it came out, helped me a >> lot when I was feeling very down (even for me). Top of the City and MoP >> are easily the two songs that helped me most. > > I agree completely. Top of the City was the first song on the >album to really make me bawl. It had me crying and shaking and >completely a wreck for a number of weeks...and although Moments of >pleasure has never made me completely break down, it does make me feel a >little bit weak. > It seems to me like a lot of people are still looking for faults >in the Red Shoes--I admit, when it first came out, it was hard for me to >relate to in it's entirety. But, in that way, it's like all Kate >albums...they seem to be easily dismissed, and then to come and jump you >from behind when you most need them. > I'd also like to defend You're the ONly One, which seems to get >some terrible things said about it from time to time. It sounds very >commercial and expresses very basic sentiments, which can be offputting >at times, but the emotions sung about in the song are so obviously and >genuinely felt i cannot help but be moved by it. > >kate always, > >danielle Both TotC and MoP deal, to some degree, with death and suicidal urges. Seeing the world very darkly, this is the sort of thing I can truly relate to. Hearing these was like being able to talk about such things, something rarely possible for someone like myself. I think it's just a matter of different people being able to relate to different songs. Rather than a negative thing, it's positive. It confirms the variety that makes life so enjoyable. -- "It's all bullshit except the pain, right? "Like the burn of a lighted match, increased a million times "Infinite. Now you don't fuck around with the infinite "There's no way you can matter" Shriekback, "Nemesis (Arch-Deviant Mix