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From: afcpeters@aol.com (AFC PeterS)
Date: 21 May 1994 04:02:02 -0400
Subject: Re: Del Interview/Some Hammersmith Questions
To: rec-music-gaffa@uunet.UU.NET
Newsgroups: rec.music.gaffa
Organization: America Online, Inc. (1-800-827-6364)
Posted-Date: 21 May 1994 04:02:02 -0400
References: <Pine.3.05.9405191535.A8383-b100000@atlas.cs.upei.ca>
Sender: news@aol.net
In article <Pine.3.05.9405191535.A8383-b100000@atlas.cs.upei.ca>, fmcquarr@upei.ca (Fiona McQuarrie) writes: > Thanks to Peter M. for posting that interview with Del. My question > is, if he (Del) knows all this technical stuff, why have all of > Kate's recent records sounded so flat and empty? I still think she > needs an outside producer to help her. I agree completely. Del knows a certain amount about recording, but he's not really a great engineer. The bit about learning to compress Kate's vocals from "Ardman" (aka Hardiman) is an example. Yes, KB's vocals have always been heavily compressed, but *nothing* like the sound Palmer introduced on TSW, where you can hear the bloody compressor pumping! This guy needs to turn over the console to someone qualified, and get back to playing bass - something he was really good at. Peter Stoller