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From: the man with the child up his nose <jondr@sco.COM>
Date: Tue, 16 Mar 93 14:30:33 PST
Subject: a blast from the past
To: love-hounds@uunet.UU.NET
Sender: jondr@sco.COM
it's not quite the 7 year anniversary of IED's appearance on love-hounds (we've got about a month to go) but as he is here now and may not be here then, i decided to share this little gem with y'all today instead of saving it... ...................................................................... Date: Tue, 15 Apr 86 19:06 PST From: IED0DXM%UCLAMVS.BITNET@WISCVM.WISC.EDU Subject: Interview revisited Hi, Kate fans. A. Marvick responding to unexpectedly voluminous verbiage from parts East and elsewhere. Knowing nothing about inter-computer communication as yet, I may frequently commit gaffes of user etiquette. Please bear with me. ...................................................................... it only took four days for the first IED flame to arrive, as we see here... ...................................................................... Date: 19 Apr 86 20:59:00 PST From: "ROSSI J.A." <rossi@nusc.ARPA> Subject: DOA / Francis Bacon The first Marvick posting was interesting, the second was long winded. I would seriously like to ask the question, Doesn't Kate ever write music devoid of 'deep-meaning'. Granted, we all get thge message concerning Cloudbursting, and we are aparently informed of its meaning. How the essay ever got from Kate's musical tragedy to mention of Francis Bacon and his tragedy to mention of Francis Bacon (bravo on getting the correct Bacon, here) and his prophetic masterpiece <Novum Organum, The New Atlantis>, eludes me. Am I missing satire, here. ...................................................................... and then the next day, this arrived... ...................................................................... Date: Sun, 20 Apr 1986 02:23 EST From: Mark Woodruff <WOODRUFF%UCF1VM.BITNET@WISCVM.WISC.EDU> Subject: shit >From: IED0DXM%UCLAMVS.BITNET@WISCVM.WISC.EDU >..us Venturing Into the Garden: >..us A Look at Themes in Hounds of Love You're full of it, and this essay reeks of it. Take me off the mailing list, Doug, I can't stand the smell any more. ...................................................................... only took andy FIVE whole days to cause someone to unsubscribe! even I never managed that record. :( and for those of you who are yelling at me cos i hate it when any of these 2nd rate female kate wannabees (no names mentioned, natch) get some airtime on gaffa, remember this little gem from June of 86. back in those days, non-kate postings on gaffa were as likely to be about severed heads or the sex pistols as jane siberry or danielle dax... ...................................................................... Date: Wed, 04 Jun 86 16:14 PDT From: IED0DXM%UCLAMVS.BITNET@WISCVM.WISC.EDU Subject: Oh, forchrissake! KATE BUSH...remember? ...................................................................... and it wasn't long after this that first infamous "doug vs IED" semantic debate (aka pointless flamewar) started up, when doug postulated that the dreaming was a more significant work than hounds of love because it came first. this led to the whole "does art have to be NEW or does it have to be GOOD" debate. it was still raging when i joined the list a few months later... and then on 9 Nov, yours truly surfaced with this kate-related comment: ...................................................................... Date: Sun, 9 Nov 86 00:47:28 EST From: drukman%UMass.BITNET@WISCVM.WISC.EDU (Jonathan S. Drukman) Subject: Shriekback, Kate Bush [...] I was going to say how Kate Bush's "Experiment IV" sounds a bit calculated, but I've got a weak spot for Kate, and I love the lyrics, so even if it is a bit 'mersh, I'll still listen to it. ...................................................................... well, that's today's nostalgia break. Jon Drukman (an emulsifier) jondr@sco.com ------------------------------------------------------------------------------- Things are more like they are now than they ever were before.