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From: vickie@pilot.njin.net (Vickie Mapes)
Date: 3 Dec 92 05:39:44 GMT
Subject: Re: Reaching Out/Heads
To: rec-music-gaffa@rutgers.edu
Newsgroups: rec.music.gaffa
Organization: Rutgers Univ., New Brunswick, N.J.
References: <1992Dec3.015452.20932@galileo.cc.rochester.edu>
as010b@uhura.cc.rochester.edu (andrew david simchik) writes: >Addressing two previous points: >1.) Why I don't like "Reaching Out". > I do like it, actually, but I find it to be kind of lacking in >Kate's usual melodic inventiveness. I mean, the verse is a pretty straight >descending line, and the refrain, while appropriate to the lyrics, is fairly >straightforward also. Perhaps this explains why I find it one of my least >favorite songs on the album. I also think the way its ideas are expressed >lacks Kate's customarily well-crafted poetry. It's not a bad song, just not >a great one. emotionemotionemotionemotionemotionemotionemotionemotionemotionemotion Why does everybody seem to dissect this song? Feel it. I do think it's a great song. >2.) Why I do like "Heads We're Dancing". > > The intro hooked me right away. It locked me into this driving, >devilish groove that fit the song perfectly. Then the guitar came in, and I >knew I would love it. From there, it was just pure pleasure; remember this >was my first Kate album, and this was one of the most unique songs I had >ever heard. > I still like this song a lot. The lyrics do express an interesting >theme, that the outwardly innocuous may blossom (bad metaphor, sorry) into >something monstrous, that what may appear to be a gentleman on the dance >floor could in fact be a demon in formal dress. I've heard many people say >they dislike HWD; I have yet to hear any good reasons from them >to dislike it, or any reasons at all for that matter. I didn't say I disliked it, I just said I didn't love it. I do like it, but it's my least favorite on the album, if I had to rank the songs. The only part of the song I *do* dislike is the "do do do do dos" but I can handle 'em, 'cause I like the rest of the song. To Gord: Wouldn't *you* laugh after having just gone "yeahhhhhh"? If not, why *would* you laugh before "The Fog"? I don't care how the CD is programmed. I have never understood why people used that as the almighty gospel for deciding where the laugh goes. Vickie