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From: Desi The Three-Armed Wonder Comic <jondr@sco.COM>
Date: Thu, 30 Jan 1992 16:50:11 -0800
Subject: Re: Danielle Dax in Japan (was Re: Moving, Vaseline, Kashka, fine art, etc)
To: rec-music-gaffa@sco.COM
Newsgroups: rec.music.gaffa
Organization: The Santa Cruz Operation, Inc.
References: <9201242035.AA10961@twitch.media.mit.edu> <1541@iris.mincom.oz.au>
Reply-To: jondr@sco.COM
Sender: news@sco.COM
I am not shaun@iris.mincom.oz.au (Man in Polyester Suit). I didn't say: >Whilst on the subject, I heard of a Japanese-only Dax recording (LP or >CD I don't know - back in '87 or '88) called "The Chemical Wedding". >I _think_ that at the time it was the only place to get some new song >called "Cat-House" (could be wrong though!). Was my information off, >and it was actually referring to "...Golden Spires" in a pre-release >(or whatever) title, or has anybody heard of an object like this. I own it. It's a curious little item. Here's the poop: 1. Touch Piggy's Eyes - same as on Cat House B-side and Dark Adapted Eye (henceforth referred to as DAE) 2. Whistling For His Love - different from DAE version. 3. Olamal - instrumental piece; I think it was a B-side, but I forget where it's from. 4. Muzzles - B-side to Big Hollow Man 12". Great song. 5. Cat-House - different version from 12" singles and DAE! Slightly slower, and in a lower key as well. 6. Up In Arms - same as B-side (originally on the Where The Flies Are 12" I think) 7. When I Was Young - same as B-side and DAE version, although I think it sounds a little hissier than the DAE version. 8. Passing Of The Third Floor Back - longer than the version on the Big Hollow Man 12" but apparently from the same master. >Oh, and did the UATGS have a Holly Warburton cover (a good enough reason >to seek out those old 12" singles on their own)? Yeah but it wasn't anywhere near as great as the Cat-House one (one of my all time favorite record covers). I really wish I had bought UATGS last time I saw it. :( -- Jon Drukman (finely honed machine) uunet!sco!jondr jondr@sco.com ------------------------------------------------------------------------------- Truth is out of style.