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From: barth@ihlpf.ATT.COM (Richards)
Date: 23 May 89 16:25:26 GMT
Subject: Re: _Dreamtime_ triple live bootleg
Newsgroups: rec.music.gaffa
Organization: AT&T Bell Laboratories - Naperville, Illinois
References: <8905221634.AA08181@smiley.mitre.org> <17680@mimsy.UUCP>
Reply-To: barth@ihlpf.UUCP (79146-Richards,B.)
In article <17680@mimsy.UUCP> dbk@mimsy.umd.edu.UUCP (Dan Kozak) writes: >Actually, I have yet to hear any Kate bootlegs that are equal in sound >quality to most of the other artists whose work I am interested enough >in to care. On the other hand I haven't heard all that many, but my >experiences to date prevent me from risking any more cash on the >quest. Didn't she ever do a BBC or King Biscuit show that could be >found on bootleg? I've got the Police, the Jam and a few others that >were originally one of these radio shows and the sound and performance >are all quite good. Enquirn' minds want to know . . . what are the >great Kate boots, or do they exist? Unfortunately, I have also found this to be true. Almost all the KB bootlegs I have run across are pretty bad audience recordings. The only exceptions to this I know of are the boots of video tape soundtracks (Xmas Show, Hammersmith) and the occassional studio demos. I hear that PASSING THROUGH AIR is pretty good (I don't have it.), but it's mostly singles and B-sides. I do have a boot of a German HOL tour show which is either from a broadcast or the board, but it suffers from some pretty heavy distortion. 888888888888888888888888888888888888888888888888888888888888888888888888888 88 88 88 Language is a virus from outer space. Barth Richards 88 88 AT&T Bell Labs 88 88 Naperville, IL 88 88 - William S. Burroughs !att!ihlpf!barth 88 88 88 888888888888888888888888888888888888888888888888888888888888888888888888888