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From: herbison%ultra.DEC@decwrl.DEC.COM (B.J.)
Date: Thursday, 31 Oct 1985 08:35:33-PST
Subject: The Boston Globe Calendar
>From the Records section of The Boston Globe, 31 October 1985. Copied without permission. B.J. KATE BUSH *HOUNDS OF LOVE* EMI AMERICA Kate Bush lets her imagination run wild on this fascinating but flawed al- bum. It's not quite up to her last, 1982's ``The Dreaming,'' which offered clearer lyrics and more striking tunes, but in terms of outright invention, this one goes further. Side 1 is slightly more conven- tional, including the subtle but catchy single ``Running Up That Hill,'' which recalls Peter Gabriel's recent work. ``Cloudbursting'' sounds like an Elizabe- than pop song; ``The Big Sky'' borrows from African rhythms; and ``Mother Stands for Comfort'' replaces drums with breaking glass. Side 2, subtitled ``The Ninth Wave,'' is a 25-minute suite about spiritual travels. The music takes a number of surprising turns; a spectral ballad breaks into an Irish jig leading into a long stretch of choral music. Bush makes some unearthly vocal sounds. In one segment she creates a witch trial, doctoring her voice into an ominous male chorus. It's unsettling but positive, ending with an upbeat affirmation of life and love. Bush has come a long way from her early days as a soft-rocking singer- songwriter. - Brett Milano