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From: jerpc.PE.UUCP@topaz.rutgers.edu
Date: Wed, 2 Oct 85 02:32:40 edt
Subject: Re: Re: And Dream of Sheep
> > X-From: jerpc.PE.UUCP > > > I am not convinced anything on the album, other than "Jig of Life," > > has any metaphors to it, yet. > > Oh come now! The whole of "The Ninth Wave" is metaphorical is the same > way that Conrad's "The Hurricane" is metaphorical. I didn't say it wasn't metaphorical... I just said I hadn't determined that it was yet. > Also, RUTH is *not* > about jogging and construction workers! (Don't worry J. Eric, I'll get > around to responding to that claim sometime soon....) You would have a much harder time convincing me of that than of anything else at the moment, since I am now fairly convinced. You would have to explain these things: What the hill symbolizes. What the road symbolizes. What the building symbolizes. What the phrase "with no problems" means. And, finally, why the song has an angry tone. > "Hounds of Love" > is not really about dogs. That's obvious. > "The Big Sky" is not really about walking on > clouds. The big sky is about the same thing this Yes song is about: As we try and consider, We receive all we venture to give. All we say is our soul, constant sight-listener; We won't tender our song clear till we sail. Then I will be there. I will be there, as clearer companions will call to be near you. They move around --tell me that they move around, Surely sing-- as they don't seem to matter at all. At all... > And, actually, "Jig of Life" (the part Kate sings, rather) is the most > straightforward song on the album. Once you figure it out, nearly every > line is completely clear and unambiguous. The subtle and poetic way she > says what she's saying is so perfect, though, it's a masterpiece! But that's what good poetry is good for. It shouldn't be undecipherable. > > "Now is the place where the crossroads meet" "As is written in the Koan, `what is the sound of one hand clapping,' so we believe that the audience is an essential part of our music." -- Jon Anderson