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From: chrisw@wwa.com (Chris Williams)
Date: Wed, 10 Sep 1997 00:29:20 -0500 (CDT)
Subject: Re: FS: PAL videos - The Whole Story & Live at Hammersmith Odeon
To: love-hounds@gryphon.com
Newsgroups: rec.music.gaffa
References: <Pine.HPP.3.91.970807065654.12898A-100000@othello.ucs.indiana.edu> <3401B7ED.2D5A@mednet.ucla.edu>
In rec.music.gaffa you write: >SioDallion wrote: >> >> What is a pal version? >I'm not up on the techno jargon, but I do know that there are >two VHS formats. One is PAL and the other NTSC. If you're in >Europe, you use PAL. In the US, we use NTSC. Actually three. PAL, SECAM and NTSC. > I think the two >systems were developed to prevent films whose rights were >questionable from one country to another from being sold by >anyone other than the rightful owner. Actually, the other systems were developed because they were just plain better. NTSC is a hack to maintain compatibility with the pre-existing monochrome system. Film rights had nothing to do with it. The major difference between NTSC and PAL is NTSC is 60 fields per second and PAL is 50 fields per second. > I work for MGM, and we are >currently releasing Digital Video Discs which are encoded >differently for Japan, the US, Europe, etc. for that very >reason. MGM and the other movie companies are going to kill DVD with their insane power grab. The "contry code" nonsense should be abolished. Why should a their marketing methods be enshrined in the law? -- Chris Williams of Chris'n'Vickie of Chicago chrisw@miso.wwa.com (his) vickie@miso.wwa.com (hers)