Gaffaweb >
Love & Anger >
1997-12 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: Dongerous! <fastslow@idt.net>
Date: Thu, 5 Jun 1997 10:07:40 -0800
Subject: Re: 9th Wave
To: pdc@acorn.net (pDaleCampbell)
Cc: Dongerous! <fastslow@idt.net>, love-hounds@gryphon.com
Content-Type: text/plain; charset="us-ascii"
In-Reply-To: <3398afd4.249107898@aksv01>
References: <l03020900afb9e1d123a9@[169.132.208.201]><l03020900afb9e1d123a9@[169.132.208.201]>
At 5:53 AM -0800 6-5-97, pDaleCampbell wrote: <>snip> >Then... >On Wed, 4 Jun 1997 13:42:46 -0400 (EDT), Dongerous! <fastslow@idt.net> >wrote: >> At 4:14 PM -0000 6-4-97, stephanie bush wrote: >> >but I would be _really_ curious as to why you don't like it. >> >> I went back and listened to it yet again after posting...just to make sure. >> And, yes, I can say quite confidently that I find "The Ninth Wave" to be >> the biggest load of pretentious nonsense since "Tales of Topographic >> Oceans" by Yes. I feel like someone is forcing me to listen to the audio >> portion of a bad art movie without at least letting me be distracted by the >> visuals. Obtuse dialogue and obscure production may impress the >> impressionable, but I find it to be hopelessly self-indulgent. > >I don't know what's going on here, but at least you're consistent. >You don't like what I consider the masterpieces of my favorite female >artist and group! That's okay. You probably don't think Iggy Pop's "Raw Power" was one of the pinnacles of art in Western Civilization. >> Contrast this with the wonderfully well-realized combination of songwriting >> craft, production and performance in the five songs in "Hounds of Love" >> sequence. > >The worst problem with the HoL side is that, on an admittedly outstanding >day, more than one of today's "popular" artists could have produced similar >work. Similar quality work? Yes. Similar work? No. >TNW, however, is uniquely a product of the gift of genius that is Kate. I'll agree with that. With the gift of genius, there are undeniable liabilities. >> > It pretty effectively encapsulates _everything_ I like about KB's >> >music - it's simply a beautifully, beautifully realized work of art. > (Amen!) >> >> Okay. I think TNW allows KB's worst tendencies for pretension run wild for >> far too long. > >Have you watched _The_Line,_the_Cross_and_the_Curve_? (Now there *I* >go! At least you won't be hanging alone.) Thanks. >> > I would cautiously >> >propose that it is one of those things that transcends such oppositions as >> >good/bad; i.e. you may not _like_ it, but you still recognize its merit, >> >correct? >> >> Sorry, but I don't recognize its merit. I think TNW is something we're >> supposed to be kind about, right? > >No. >This group uniformly (until now :) recognizes the genius of TNW. >(Actually, since I don't know how you feel about using smileys, >I would guess you are joking here.) I would guess that some people on the list are afraid to express an unpopular opinion. >> > just wondering - I hate to just _assume_ that you are a pod >> >person! >> >> Actually, I'm a singles person. I think KB's best work is when she makes >> herself accessible in the more structured environment than the >> less-disciplined album setting. > >One more thing... How did you like Pink Floyd's _The_Wall_? I haven't thought much about Pink Floyd since Syd Barrett was kicked out. >And then... >On Wed, 4 Jun 1997 17:49:52 -0400 (EDT), Dongerous! <fastslow@idt.net> >wrote: >> At 8:06 PM -0000 6-4-97, stephanie bush wrote: >> >i could argue that the 'hounds of love' side has a thematic quality to it >> >also, >> >> It would most likely be an unsuccessful argument, however. > >Yet it is long-standing doctrine in this group. Okay. You string the videos for "HoL," "Cloudbusting," "The Big Sky" and "RUTH" together and tell me that there's a thematic quality. If you can make that stretch, you must be the Rubberband Guy. They're just five songs that didn't fit into "TNW" fiasco. >Let me close by saying I don't see how someone can consider Kate a >uniquely gifted artist (and I haven't seen Don make that claim) and >not appreciate TNW. She's obviously a uniquely gifted artist. For me, TNW encapsulates the aspects of her music I find most troubling. You're free to revel in her self-indulgence. I like it better when she reaches out. >But then, I like much a what Tori Amos has done, until BfP. Oh. I think TA is horrible. Quick, completely true story: My wife comes home one day. She says, "I heard this song on the radio. I think it was Kate Bush, but it wasn't very good. Does she do a song called 'Cornflake Girl'?" - Don