Gaffaweb >
Love & Anger >
1997-07 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: "Alan Chamberlin" <abckid@ix.netcom.com>
Date: 19 Mar 1997 04:26:46 GMT
Subject: Re: Unidentified subject!
To: rec-music-gaffa@uunet.uu.net
Approved: wisner@gryphon.com
Newsgroups: rec.music.gaffa
Old-X-Envelope-To: love-hounds
Organization: Netcom
References: <3.0.32.19970318144139.006af128@pop.sirius.com>
Resent-Date: Mon, 24 Mar 1997 16:35:42 -0800 (PST)
Resent-From: love-hounds@gryphon.com
Resent-Message-ID: <"ckv_Z.A.RLC.D3xNz"@gryphon.com>
Resent-Sender: love-hounds-request@gryphon.com
Karen Newcombe <kln@staralliance.com> wrote in article <3.0.32.19970318144139.006af128@pop.sirius.com>... > Peter, > > Having thought about it for a few days, I think there are some points that > can be made about HOL that I'd personally hate to see overlooked in favor > of EMI gushing about sales numbers after all, what's important to us > isn't whether an album sells a billion copies, but how it makes us feel and > what it makes us think. > > HOL is not only one of the most ambitious popular music undertakings of the > 80's, it is one of the most successful. The success is layered and > multi-leveled, like the album itself. > > First there is the juxtaposition of the Apollonian and Dianic influence > the bright, driven, outgoing and nearly anthemic Side A placed opposite the > occluded, benthic, inward focus of The Ninth Wave. A brilliant pairing, > the two sets of music reflect and complement each other. > > Secondly there is the sheer genius of musicality: Kate is at a brilliant > point in her mastery of composition. Drawing on the varied musical > traditions she has been exposed to she has distilled an entire world of > music, voice, natural sounds into a sequence of coherent works that tap > directly into the listener's emotional center. Our hearts soar into orbit > with Kate's voice when she sings "Hello Earth, hello earth, watching storms > start to form over America . . ." One cannot listen to the thrum, thrum, > thrum-thrum-thrum of Cloudbusting without marching forward, so how > appropriate that this song is about the ability of a child to witness the > terrible treatment of his father by the government yet find a way to > continue his own life. > > Which bring us to the content of HOL/TNW. Kate's content is vastly > ambitious, from the "Side A" exploration of relationships with others such > as love, murder, misunderstanding and negotiation, to the Ninth Wave's dive > into the realms of one's own soul. No other popular album of the 80's > dared address the depth of content that Kate did. But it is unfair to > compare other albums with HOL; they simply can't hold up. > > Two aspects of HOL deserve more recognition: The Ninth Wave and the > "B-Sides" Kate produced to accompany the singles. I can't think of another > piece of music in the popular music realm as complex, unified, and complete > as The Ninth Wave. The Ninth Wave holds up as a remarkable accomplishment > that has always left me wishing Kate would work on more long pieces. > > The "B-Sides" that accompanied the singles for HOL were gems in their own > right: The Handsome Cabin Boy was humorous, My Lagan Love was lovely a > capella, Not This Time had us all tooriyah tooriyoh-ing in time, and then > she hit us with what is possibly the most beautiful song in existence, > Under the Ivy. As if that wasn't enough, several remarkable remixes of > the singles were made available, including the nearly seven minute > Meteorological Mix of The Big Sky which begins with an Australian > digeridoo, blows a passing kiss at the clouds of Ireland, and ends with > Native American rain chants. > > You almost could not remove a song, a note, a word from the entire album > and have it still hold together. Like a poem, it is self-contained and > perfect, and the remarkable thing is that Kate has gone on to give us The > Sensual World and The Red Shoes, albums very different in scope and > objective from Hounds of Love, but ultimately informed by what Kate learned > in making Hounds. > > My two cents worth . . . > > Karen > > P.S. Any chance of encouraging EMI to also make the B-sides available? > I'd still like to have a better recording of that RUTH instrumental version. > > > > Karen Newcombe kln@staralliance.com > > I am not this steeply sloping hour in which you see me hurrying -- Rainer > Maria Rilke > > Karen, I love Kate's music also and count HOL among my favorite Kate albums. For your own good I do believe you should put down that copy of the Jim Morrison biography you're reading. The sooner the better. It will rot your brain out. :-) Appolic and Dianic indeed! Where's Ray Manzerak when you need a truly pedantic lecture on the Dionysian heroes in R'n'R? -- Alan Chamberlin ---- "Those who do not learn from history are doomed to repeat it." Santayana