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From: "Forward, Jonathan" <JForward@sitgbsd1.telecom.com.au>
Date: Fri, 09 Feb 96 13:50:00 EST
Subject: RE: Ethics Regarding "Demos"
To: "rec.music.gaffa" <love-hounds@gryphon.com>
Encoding: 25 TEXT
Sender: owner-love-hounds@gryphon.com
> Date: Thursday, 8 February 1996 2:07PM Emmy wrote: > As far as I know, she wasn't very pleased with the demos > appearing.. As we all know Kate is a perfectionist when it comes > to her work, so I'm sure it couldn't have been very pleasant for > her to have songs of hers released that weren't quite finished > and not (yet?) meant for the public.. This is Kate's biggest failing for me - not recognising her great works as great. It would be fine if she had destroyed all those early works and gone on to re-create them in an altogether more sublime form (if possible), as when Michaelangelo obliterated his (and his assistants') first enormous effort on the ceiling of the Sistine Chapel to allow something more glorious to take its place, but... taking "Oh To Be In Love" and "Wuthering Heights" as two signal examples, Kate has the ability to take masterpieces and render them somewhat threadbare. Eric Clapton sounds great with just an acoustic guitar; Larry Adler sounds great with just his harp; Kate sounds great with just a piano. I think sometimes even Beethoven wasn't as deaf to his own talent as Kate is to hers. TSB