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From: Richard BREITNER <ritchieb@worldnet.net>
Date: Tue, 30 Jan 1996 19:01:06 +0100
Subject: That Kate/Tori thing ( and Wait for Kate's next album thing)
To: rec-music-gaffa@uunet.uu.net
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In <r+pQ4DATA6BxEwTy@murmur.demon.co.uk> Scott Thomas <scott@murmur.demon.co.uk> writes: (talking about Kate and Tori comparisons) > > I agree, they are completely different. >>> Well, that's true, although some backing vocals in Tori's work are >>> rather "Bushian". >>> They're both two brilliant personalities and two female >>> pianists/songwriters, but I think Tori's is more "earthy" than Kate. >>> Her vocal style, her lyrics, this is less "star fallen upon earth". >>> Besides, Tori's piano style is more impressionist (Debussy would >>> have loved that girl !). There's also that funny little rythm she >>> likes to use to say serious things (like in "Father Lucifer"). Erik >>> Satie would also appreciate. These are really distinctive Tori's >>> touch. There's also the fact that she really stays close to her >>> piano (except for the harpsichord songs). Kate abundantly used >>> electronic stuff right from her third album, and fairlight from >>> the fourth (The Dreaming). In Tori's work, the piano still remains >>> the leading instrument. >>> That's why I think BFP is NOT Tori's "The Dreaming", as there's >>> more continuity between UtP and BfP than between Kate's N4E and >>> THD. >>> Last thing: they should be both appreciated for what they are, >>> without this kind of Tori vs Kate thing, or (this is for Kate's >>> fans), without rating Tori as an ersatz to help waiting for Kate's >>> next record. Tori's not a Kate substitute ! -- /\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\ < Somewhere, the sun is shining for everyone > < Richard BREITNER >< ritchieb@worldnet.net > \/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/