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From: undrtoad@ix.netcom.com (P. Dale Campbell )
Date: 4 Oct 1995 12:24:55 GMT
Subject: Re: Where there's smoke, there's flaming.
To: rec-music-gaffa@uunet.uu.net
Newsgroups: rec.music.gaffa
Organization: Netcom
References: <199510040543.AAA14856@solar.sky.net>
I replied to this via email before I knew Chris posted this to r.m.g,
so...
I wrote (who cares where?):
> Yes, I've seen the video...
In <199510040543.AAA14856@solar.sky.net> chrisw@miso.wwa.com
(Chris Williams) writes:
> We all develop our own stories in the absence of a
video...sometimes
> they are even better. But the video was storyboarded by Kate, and
reflects
> her intentions.
I accept that those were her intentions with the video (even though she
appears post-birth-canal later in the video), but that does not
*really*
tell us what she meant when she composed the song. The baby could have
been born during the story.
> But if you view "breathing" as "taking oxygon in" the fetus *does*
> "breath" in sustanance from the mother.
If that is one's view, you could make that argument, yes. But I
believe
biologists would say "fish do not breath". The act of taking breath is
such a fundamental concept in the song ("out in out in..."), it is
hard for me to take it *that* figuratively. But I concede that this
*could* be Kate's intention.
Still, for invoking horror, I couldn't hope to match the image of
breathing the smoke from your mother's body. And I am SURE Kate
intended this song to be a horror story.
Today I shall consult _Cloudbusting_, as I am sure Stuart will do, to
see what Kate has to say.
--
The UnderToad, (pDaleCampbell, pdCampbell@goodyear.com)
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