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From: undrtoad@ix.netcom.com (P. Dale Campbell )
Date: 4 Oct 1995 12:24:55 GMT
Subject: Re: Where there's smoke, there's flaming.
To: rec-music-gaffa@uunet.uu.net
Newsgroups: rec.music.gaffa
Organization: Netcom
References: <199510040543.AAA14856@solar.sky.net>
I replied to this via email before I knew Chris posted this to r.m.g, so... I wrote (who cares where?): > Yes, I've seen the video... In <199510040543.AAA14856@solar.sky.net> chrisw@miso.wwa.com (Chris Williams) writes: > We all develop our own stories in the absence of a video...sometimes > they are even better. But the video was storyboarded by Kate, and reflects > her intentions. I accept that those were her intentions with the video (even though she appears post-birth-canal later in the video), but that does not *really* tell us what she meant when she composed the song. The baby could have been born during the story. > But if you view "breathing" as "taking oxygon in" the fetus *does* > "breath" in sustanance from the mother. If that is one's view, you could make that argument, yes. But I believe biologists would say "fish do not breath". The act of taking breath is such a fundamental concept in the song ("out in out in..."), it is hard for me to take it *that* figuratively. But I concede that this *could* be Kate's intention. Still, for invoking horror, I couldn't hope to match the image of breathing the smoke from your mother's body. And I am SURE Kate intended this song to be a horror story. Today I shall consult _Cloudbusting_, as I am sure Stuart will do, to see what Kate has to say. -- The UnderToad, (pDaleCampbell, pdCampbell@goodyear.com) ___ | "How can anybody be enlightened? |/ Truth is after all so poorly lit." |\