Gaffaweb >
Love & Anger >
1995-29 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: Steve ZPJ <zpj@huskbeat.demon.co.uk>
Date: Wed, 20 Sep 1995 01:04:15 +0000
Subject: Re:Love-Hounds Compilation
To: Love-Hounds@uunet.uu.net
Organization: KBL
Priority: normal
Reply-to: zpj@huskbeat.demon.co.uk
> > Now that the new Love-Hounds video collection is starting to become available > to people, IED thought some of you might want > to know a little about its contents. > > 1. Top of the Pops, February 1978: "Wuthering Heights" (lip-synch at > the piano). > > Now you know why IED was asking all those boring follow-up questions about > the various "Wuthering Heights" performances from the old Top of the Pops > programme on UK TV from 1978. The first clip on the new tape is the TotP > "piano version", which, as far as IED is aware, has not been available in the > U.S. before. > > 2. Fruitopia ad No. 1a: "Summer Solstice". > > This tape's original raison-d'etre was the collection of all of Kate Bush's > Fruitopia spots in one place, in order to make the music available to any > Kate Bush fan who wanted it. This is one of the first spots to be broadcast > in the U.S. -- a longer, widescreen version of the same spot was the first > seen in theaters (it is included toward the end of this tape). The tape > gathers a total of ten different Kate Bush Fruitopia "scores": "Summer > Solstice", "Nice", "Fighting Fruit", "Soul", "Thirsty", "Skin", "Person", > "Passion", "Where Were You?", and "Some People", as > well as the Japanese "Summer Solstice" and the sixty-second version, called > "What If?"). Of these, only "Some People" is > a "new" ad -- that is, not among the initial batch of Fruitopia spots. It > promotes the newer, lighter-tasting line of drinks, including the Iced Teas. > Although other "new" spots have aired for these new flavors, this is the > only one that features new Kate Bush music -- all of the others just recycle > older scores with new graphics. > > Six of the ten Fruitopia spots in this collection come from a promotional > tape that Karen Newcombe snagged for us. The balance were taken off U.S. TV. > > 3. The Seventh Annual Tokyo Song Festival, June 1978: "Moving" (live > performance). > 4. Sound in 'S' (Japan), June 1978: "She's Leaving Home", "The > Long and Winding Road", "Let It Be", "Rolling the Ball" [sic) (live > performances). > 5. Fruitopia ad No. 1b ("Summer Solstice", Japan). > > These Japanese clips are among the most entertaining of all > Kate Bush artifacts. We have Sozo Yamamoto to thank for the > much improved picture quality of the present copies, as well > as for the wonderful 15-second Japanese edition of the Fruitopia > "Summer Solstice" spot. > > 6. Parodies, 1978-1979. > > The first of these is an interview with Kate Bush in which she watches and > comments on Faith Brown's parody of the Rockflix "Wuthering Heights" > video; this is followed by Brown's parody of "Wow" (to which is appended a > relevant clip from "Musical Chairs", a BBC film about Keith MacMillan's > videos), Brown's "interview" with "Kate Bush" and her performance of the > old pop standard, "Three Little Fishes"; and finally, Pamela Stephenson's > "Oh, England, My Leotard", a parody from "Not the Nine O'Clock News", 1979. > > 8. Fantastico (Italy) : "Cloudbusting", 1985. > > This lip-synch is the only Kate Bush performance of this song of > "Cloudbusting" other than the original. > > 10. Don't Give Up, 1986. > > This is a montage of the two official Peter Gabriel videos, merging the live > audio-track from the only performance Kate Bush has given of "Don't Give Up" > to date (London, 1987) with parts of the two official Peter Gabriel videos of > the song. > > 12. This Is Your Life (Nigel Kennedy), 1990. > > This is a brief clip showing Kate Bush's guest spot on an episode of the > long-running British version of this old TV show. In this episode the > "victim" was Nigel Kennedy, and Kate appears very briefly. > > 14. The Wogan Show: "Rocket Man", 1990 (lip-synch.). > > 15. "Rocket Man" ad (UK TV). > > 16. The Last Show on Earth (titles), 1992. > > This is just the title sequence of a U.S. documentary that was aired on > Public Television in 1992, using a large part of Kate's "Hello Earth" as the > soundtrack. > > 18. The London Film Festival. > > This is the first bit of unofficial, fan-generated video of Kate Bush that > IED has ever encountered. It shows Kate introducing the premiere of "The > Line, The Cross, and the Curve" at the British Film Festival, 1994. > > 20. MTV: "Rubberband Girl", the alternate, or "MTV" version, 1994. > > 22. Top of the Pops: "And So Is Love", 1994 (lip-synch). > > One of the best latter-years performances, in IED's opinion -- given that > these are collectively characterized by a relative lack of commitment and > choreographic prep-work by Kate Bush, this one at least is expressively > static and spare. > > 24. Kate Bush, with Larry Adler: "The Man I Love" (video for "The Glory > of Gershwin", 1994). > > 26. "RockPop" (Netherlands): "Babooshka" and > "Army Dreamers" ("Mrs Mop"), 1980 (lip-synchs.). > > The "Mrs Mop" (Mopp?) performance is included here (out of chronological > order) mainly because it's one of IED's favorites. > We're fortunate to have this improved copy from Love-Hound Marcel Rijs. > > 27. The Seiko commercial (1978). Apart from the Fruitopia spots and the > various TV ads for Kate Bush's own releases, this is the only advertisement > she has done to date. It aired on Japanese TV, and as far as IED is aware, > this crummy copy is the best one available so far. > > 29. "May I ask you what you're doing?": a short film by John Light. > > This compilation was the result of a collaboration by IED (Andrew Marvick), > John Light and Karen Newcombe, but we couldn't have done it without the help > of a lot of other generous and talented folks, most of whom are credited at > the end of the tape. > > We hope you enjoy it!! > > -- Andrew Marvick (IED) > S R I > > Is this tape available on PAL format? -- Steve ZPJ (zpj@huskbeat.demon.co.uk) -- Anyone who can stay sane in this world must be mad --