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From: "Brian J Dillard" <dillardb@student.msu.edu>
Date: Sat, 11 Mar 1995 21:56:31 -0500 (EST)
Subject: The Dreaming and "The Dreaming"
To: mdean@athena.cs.uga.edu, love-hounds@uunet.uu.net (lovehounds)
Content-Length: 1826
Content-Type: text
mike, i don't know if kate and neil "the sandman" gaiman have ever met, but i think it is obvious he is a big fan of her work. aside from the obvious parallel (mentioned in the header to this post), why, in the world's end cycle alone we have references to and stories about the big sky AND the handsome cabin boy . . . . and every time i hear 'egypt' and the line "my pussy queen," i picture that dreadful todd mcfarlane picture of morpheus and bast . . . . . and immediately try to conjure up images of bast drawn by, say, jill thompson. . . . . in a more general and probably more appropriate sense than these 1:1 parallels is both artists' (neil's and kate's) penchant for refiguring pieces of myth and fiction created by others and wringing something new from them. i once dreamt, after musing on the strange parallels b/t tori and kate, that neil and tori were hanging out in london. . . . her the failed rock chick and him the up-and-coming comix writer. . . . and he turns her onto this great singer she probably never heard of, coming from america and all, and she suddenly finds the direction she needs. . . . a few years later she's an icon and she owes it all to niel . . . .and kate in case some of you have no idea what we're talking about, it's The Sandman, a monthly (well, kinda) comic book from vertigo/dc comics about a family of immortal meta-deities called the endless . . . .destiny, death, dream, destruction, desire, despair and delirium . . . . . literate as hell, entertaining and philosophically stimulating. . . . (usually) well-drawn. the closest think to a Kately comic there is . . . . the character delirium is partially modelled, physically and in personality, on tori, the writer's pal. in 'space dog,' that's the "where's niel when you need him" reference. . . . anyway. . . . . brian