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Path: manta.jcu.edu.au!imla
From: imla@manta.jcu.edu.au (Lynn Alford)
Subject: Re: Gershwin Tribute
Message-ID: <1994Oct6.090417.18885@marlin.jcu.edu.au>
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Organization: James Cook University
References: <60.1253.5789.0C1B2185@canrem.com> <Pine.OSF.3.90b.940930083822.20267D-100000@saul1.u.washington.edu>
Date: Thu, 6 Oct 94 09:04:17 GMT
Lines: 27

In <Pine.OSF.3.90b.940930083822.20267D-100000@saul1.u.washington.edu> "Lisa M. Anderson" <meriel@stein.u.washington.edu> writes:

>On Thu, 29 Sep 1994, Evelyn Beckett wrote:

>> Hi, all.
>> I just picked up the Glory of Gershwin CD and was wondering what the
>> general consensus was out there.  I mean, obviously Kate and Elvis save
>> the day (was there any doubt?), but what do you think of it as a whole?
>> 
>I thought it was quite good as a whole, but then I like Gershwin and most 
>of the performers on the disc.  In fact, it'll get a lot more play than 
>my Two Rooms CD-- which has just too many people I can't stand.


I think I'm with you on this.  I thought most of the tracks were good.
The only ones I didn't like were the ones that were Courtney Pine, Bon
somebody-or-other, and I didn't really like the Elvis tracks.  They just
didn't really feel much like Gershwin tracks to me, and I do like
Gershwin.  

Lynn 

-- 
lynn.alford@jcu.edu.au       | Many years ago, I realised the key factor
lalford@nyx.cs.du.edu        | in determining the success of a record
was lynn@coral.cs.jcu.edu.au | is the hair cut.  Peter Gabriel
    **Free lance computer programmer/consultant/tutor.**