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From: chrisw@fciad2.bsd.uchicago.edu (chris williams)
Date: Sun, 5 Jun 94 19:56 CDT
Subject: Re: Kate Tour in US
To: love-hounds@uunet.UU.NET
In-Reply-To: <26762.199406051724@lily.csv.warwick.ac.uk>
Newsgroups: rec.music.gaffa
Organization: FCIA Univ. of Chicago
>> Hi! I was wondering, is there any truth to the rumor that Kate will come to >> the US for a tour? I had heard that she WOULD come if the record sold enough >> to warrent that sort of thing... >> > > Don't be silly. Sorry to be so blunt, but that really is silly. >Your best chance of even seeing Kate in the flesh is to go to the Convention. > > She hasn't toured in 15 years and she is never likely to repeat it. >It's a combination of Bill Duffield's ghost and the fact that she is so subtle >an artist that it would be very difficult to find venues of a suitable size >and nature to make a tour a worthwhile proposition (both creatively and >artistically.) She wouldn't be likely to take product endorsement and she >wouldn't be willing to undertake movement of her style in large venues, where >the clever touches would go, for the most part, unnoticed. I don't think that suitable venues are really the problem, and Bill Duffield died at the *begining* of her first and only tour. If she was not going to go on, she would have canceled at the start. It's more likely that Kate's fears about touring are due to how groundbreaking the _Tour Of Life_ was. It's hard to realize just how far the tour pushed the boundaries of the rock show now. Kate's "invention" of the headset microphone, the addition of dancers, jugglers, mimes, a magician and others. All these things have been adopted by others, especially the dancers and the headset. If Kate toured in the same way, clueless reviewers would claim that she was imitating Madonna, rather than the truth which is that other way around. With the complexity of Kate's music, and how much time and how many albums Kate has done since the last tour, the impossibilty of producing a tour that will be as groundbreaking today as the _Tour Of Life_ was in it's day, and her own, shall we say, "relaxed" work habits, make a tour unlikely, but not impossible. _The Red Shoes_ was planned as a simplier album that could be played on stage with a reasonably modest band. The idea *really was* to produce a "tourable" album, and tour. She honestly thought that she could finish the album in time to do a tour. One probable reason for her mentioning the possibility of a tour at the 1990 Konvention was her mother's ill health (mentioned on the _Wogan_ show). Hannah was a fan and one of the few people who could push Kate to do the things that she didn't really want to do. Kate probably wanted to tour for Hannah. When Hannah died, Kates desire to tour probably died too. > For Kate, I believe, pleasing her fans is very important - unlike some >artists. She would only unertake a tour if she felt that everyone who went to >see her would go home happy and satisfied. If she couldn't find the venues >which met the above criteria, she'd be unwilling to tour. Simple as that. I have to take exception to this. Kate has never shown any real understanding of the desires of her fans. She works to please herself, and if we like it, fine. Examples abound. The Box Set, the never touring, the living death of the Kate Bush Club. The _Tour Of Life_ played in music theatres, and practically every city she would be likely to tour has a suitable venue. After _The Sensual World_ was released, Kate's people contacted Chicago promoters about a suitable venue, and the Chicago Theatre was discussed. Chris Williams of Chris'n'Vickie of Chicago chrisw@fciad2.bsd.uchicago.edu (his) vickie@njin.rutgers.edu (hers)