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From: nessus@mit.edu (Douglas Alan)
Date: Mon, 7 Feb 1994 17:45:17 GMT
Subject: Re: The Song of Solomon (was: Sex and the single symbol)
In-Reply-To: arg@kilimanjaro.opt-sci.Arizona.EDU's message of Mon, 7 Feb 1994 03:27:55 -0500
Newsgroups: rec.music.gaffa
Organization: Kate Bush and Butthole Surfers Fandom Center
References: <199402030742.AA15960@marlin.jcu.edu.au> <NESSUS.94Feb3134200@twitch.mit.edu><9402070829.AA16779@kilimanjaro.opt-sci.Arizona.EDU>
Sender: news@media.mit.edu (USENET News System)
In article <9402070829.AA16779@kilimanjaro.opt-sci.Arizona.EDU> arg@kilimanjaro.opt-sci.Arizona.EDU (Alex Gibbs) writes: > Don't want your mystique, your showing-off, your macho bullshit. Give > me you, open up. Do it just for me, because you want to do it *for* > me, and I can do it for you, just the same. I have a different interpretation. I think that in the beginning of the song the narrator is tired of "love" and romance. She doesn't want to be tied down, she doesn't want any emotional baggage, any traumatic relationship bullshit -- she just wants some good sex, she wants her itches scratched. By the end of the song, however, she has fallen in love again and her attitude has changed. She didn't want to originally, but now she has fallen in love and will do anything for her man, even "come in a hurricane for him". This is the song of everyone who walks the path of the solitary heart. Does anyone know what the Rose of Sharon and the Lily of the Valley are? Who are Isolde and Marion, and how do they relate to the song? A wop bam boom, |>oug <nessus@mit.edu>