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From: kiess@ira.uka.de (Heiko Kiessling)
Date: 9 Nov 1993 09:26:51 GMT
Subject: Re: The Red Shoes
To: rec-music-gaffa@uunet.UU.NET
Distribution: world
Newsgroups: rec.music.gaffa
Organization: University of Karlsruhe, Germany, Department of Informatics
References: <9311051906.AA17539@wente.llnl.gov>
Reply-To: kiess@ira.uka.de
Sender: newsadm@ira.uka.de
In article <9311051906.AA17539@wente.llnl.gov>, ed@wente.llnl.gov (Ed Suranyi) writes: [citations on CotH stinking deleted] |> I can't understand this. Am I really wired so differently than |> most people here? Constellation of the Heart is one of my three |> favorite tracks on the album. The part where she sings the title |> several times in succession sends chills up and down my spine, just |> like the best of Kate's songs do. |> |> I mean, in the past, when people have complained about a song of Kate's |> that they didn't like, I may not have completely agreed, but at least |> I understood. For example, I understood why a lot of people didn't |> like Reaching Out on her last album. But this I just don't understand. |> |> Ed |> ed@wente.llnl.gov |> Me too. I don't want to offend anyone but I think that's due to what some socalled "real" KaTeFans (tm) think Kate's music has to be like. There are always those fans who got into some sort of music by a certain artist at a certain time and then very much dislike it to change. For example, in alt.fan.u2 there was a similar discussion on the "Achtung Baby" and "Zooropa" albums. U2 now is doing a very different thing from what they've done on the "Joshua Tree", for example. You learn to know a "real" U2 fan when he or she complains about this change. What I like about Kate is that she never gets stuck, artisticly speaking. Ciao, Heiko -- Heiko Kie\3ling E-Mail : kiess@ira.uka.de Universit"at Karlsruhe Telephone: +49 721 608-4055