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From: Jackie Zucconi <mailrus!gatech!netlink.cts.COM!lionhart@uunet.UU.NET>
Date: Sat, 12 Sep 92 01:00:14 PDT
Subject: utah saints revisited...
To: gatech!mit-eddie!love-hounds@uunet.UU.NET
Organization: NetLink Online Communications, San Diego CA
I'm not sure if this message will make the air waves but here it goes... How far an engineer can go in "reworking" a previously existing piece of music and be lawfully able to call it his/her own is a point of legal contention to be sure. The crux of the problem seems to lie with the realm of "recognizability." This ambiguous quality seems to be left up to the opinions of those presiding over the court case, no hard and fast law exists (yet) outlining when a song is still recognizable as the original work and when it has given up that "essence" and becomes something new and unique in its own right. This is why "samplign cases" are long drawn out processes usually resulting in out of court settlements. What makes the matter even more confusing is the difference in copyright laws from country to country. Kate and Utah Saints both work under UK law but what if Nirvana tried to sample Kate? Now there are problems because of incompatibilities with US and UK copyright laws. Hope this helps... Kateness, Lionheart -- INTERNET: lionhart@netlink.cts.com (Jackie Zucconi) UUCP: ...!ryptyde!netlink!lionhart NetLink Online Communications * Public Access in San Diego, CA (619) 453-1115