Gaffaweb >
Love & Anger >
1992-05 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: stevev@greylady.uoregon.edu (Steve VanDevender)
Date: Sat, 1 Feb 1992 11:40:15 -0800
Subject: Emotional cynics and cynical emotionalism
To: love-hounds@wiretap.spies.com, love-hounds@eddie.mit.edu
I for one am getting sick to death of this "Emotionals vs. Cynics" business. If you feebs would quit baiting each other the rest of us would have a much more enjoyable Gaffa. I'm not going to join the WarmRoom mailing list if the moderator's expressed intent is to prevent certain people from joining or to kick off people that don't meet his standards of niceness. As some of you may have already guessed, I am just as disenchanted with what the so-called "Emotionals" have been posting lately as with what the so-called "Cynics" have been posting. I also suspect that if this same sort of pompousness showed up in the WarmRoom mailing list I would promptly get kicked off for speaking my mind, because I am not the kind of person who is always sweet and cheery and never pisses people off. cynical: doubting the sincerity and goodness of others By this measure, Jorn is also a cynic. However much I may disagree with folks like Richard and Cynthia, there is no doubt that they are sincere. Re: Rocket Man Richard claims that my preconceptions are influencing my judgement of Kate's cover of "Rocket Man", and he's right. We clearly have different preconceptions. Mine are that Kate put at least some thought into how she wanted to present her cover, and that space travel may indeed involve incredible tedium, but which to me could never completely ruin the unparalleled excitement. However much the lyric of "Rocket Man" may allude to the tedium and sadness, even the original version alludes to the joy, and Kate's apparent decision to make the song a little more light-hearted sits perfectly well with me. I have finally gotten around to listening to _Lionheart_ and my main impression is "What's so bad about it?" It fits quite well into the progression of her albums, with both the charming naivete of TKI and hints of the weirdness to come.