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From: news@ukc.ac.uk
Date: Sat, 14 Dec 1991 13:17:28 -0800
To: rec-music-gaffa@kestrel
To: rec-music-gaffa@kestrel Path: harrier.ukc.ac.uk!eagle.ukc.ac.uk!spt1 From: spt1@ukc.ac.uk (Stephen Thomas) Newsgroups: rec.music.gaffa Subject: Transcription of Kate Interview Message-ID: <195@eagle.ukc.ac.uk> Date: 14 Dec 91 21:17:24 GMT Sender: spt1@ukc.ac.uk Organization: Computing Lab, University of Kent at Canterbury, UK. Lines: 189 This is a transcript of an interview with Kate by BBC Radio 1. It was aired on Saturday 14th December, at about 3:50pm. This transcription was done by Stephen Thomas. The interview itself is mostly pre-recorded, as shall become obvious. I don't know who the interviewer was, as I never listen to Radio 1 unless it's a very special occasion :). K = Kate, I = Interviewer. --- ["Don't Give Up" is played] I: Such a good track, Peter Gabriel, "Don't Give Up". It was Jonathan King who said in one of his columns that that sort of middle verse that Peter Gabriel sings in that song he reckoned was one of the finest male vocal performances of the year, and it certainly was, and there was some pretty good singing, too, from Kate Bush on that, who's been keeping something of a low profile, but how nice it is to see Kate Bush back in the charts. She's number 12 this week with her version of "Rocket Man", and we caught up with her a couple of days [ago] when she was rehearsing to perform that song on next Monday's Terry Wogan show. And my first question to her was how long it had been since she'd last done a TV appearance? K: Oh, it must be just over two years. I: Now, we get the feeling that you've, sort of, been hiding away from things. K: I don't know about hiding away, but I really only like to present myself when I'm working on something - it's more my work I like to present to the world rather than myself. I mean, I feel that it's really what people are interested in, is my music. So it really depends on whether I have any music out at the time as to whether I do any television or promotion. I: Now you have a record out that's in the charts at the moment - we'll come to that in a sec. But everytime I sort of read magazines like "Q", or something, and they say who's in the studios, it's Kate Bush, still working on her new album [Kate laughs softly]. I mean, is it taking longer than you'd like, or that you though, or what? K: Albums always take longer than I think, and actually this is one of the quickest ones for years. It's not finished, but I've been working on it about a year, and I hope to have it finished next year. But on average, I'd say I'm spending two to three years on every album, and it's incredibly frustrating. I don't know why it takes so long - I wish it didn't, but the tracks seem to evolve, and although it all starts very straight-forwardly and simply, and halfway through the album I never know if I'm going to be able to finish it, and it's all got too large on me [I think - there was a burst of interference at this point] or it starts to evolve and ends up as whatever it is. I: So when do you think it'll actually be released? K: Well, next year, I would like it next year. I can't say when, because it sort of depends what else we want to do next year, as to whether it be, er ... it wouldn't be the early part of next year, but maybe middle to latter part. I: Now, you're on this wonderful tribute album to Elton John and Bernie Taupin, and did you have a list of which songs were available to choose from. How's the choice work? K: I was really knocked out to be asked to get involved in this project, because I was such a big fan of Elton's when I was little - I really loved his stuff, he was my biggest hero, really, and when I was just starting to write songs he was the only songwriter that I knew of that played the piano and sung, and wrote songs, so he was very much my idol. And one of my favourite songs of his was "Rocket Man". Now, if I'd have known then that I would have been asked to be involved in this project, I think I would have just died! And in some ways, I owe it to myself, as that little girl to give her the priviledge of doing this as well as myself now. And they basically said, would we like to be involved and I could choose which track I wanted, and because "Rocket Man" was my favourite I hoped it hadn't gone, actually - I hoped no-one else was going to do it. I: And what about the arrangement of it, which is very different to the original. K: Well, yes I suppose so. I actually haven't heard the original for a very long time, a long long time! [laughs] And it was just I wanted to do it differently; I do think if you cover records, you should try and make them different - it's like remaking movies, you've got to try and give it something that makes it worth re-releasing. And the reggae treatment just seemed to happen, really. I just tried to put the chords together on the piano, and it just seemed to want to take off in the choruses, so we gave it the reggae treatment. I: And now, all of a sudden, it's a hit single. K: Well, yes, and it's even more extraordinary, because we actually recorded the track over two years ago, probably just after my last telly appearance! And we were quite astounded when they wanted to release it as a single just recently. What's very nice is that the guitarist that played on the track, Alan Murphy, who was our guitarist at the time, died not long after the track was made. So this was one of the last things that he did with us, and it's particularly nice for me to feel that it's not only keeping him alive, but I know that he would be really thrilled to know it was doing so well, and it's nice for all of us that loved Al to know that he can be a part of this now. ["Rocket Man" is played] I: Now, there's been an awful lot of change has gone on in the world - I'm not talking about the world of music - over the last couple of years, since your last album. Is this changed you [sic] as well? Will this mean the next Kate Bush album will be very different from the last one, do you think? K: I think you're absolutely right. I think there's been so much change in the world in this two year period. Everyone I know has been changed by it, it's impossible not to. If you don't change with it, I don't think you could survive it. Everyone's changed, I've definitely changed. I've been very affected by these last two years; they've been incredibly intense years for me. Maybe not on a work level, but a lot has happened to me. I feel I've learnt a lot. And I think yes, I think this album is going to be quite different. Yeah, I do. I: Can you give us any other clues, as to ...? K: It's impossible, I think, to talk about music, especially before it's completed or people have heard it, because it's a very personal interpretation. For me, it's like a painting. You would never talk about a painting before you've seen it. It's only when you see the painting, you then talk about it. So, I really hope that people like it, I hope the people that are waiting for it feel it's worth the wait and I really hope people out there like it. I: Well, it's going to be lovely to actually see you on the Wogan show on Monday, so lot's of luck with that. K: Well, thank you very much. It's really nice to be here and to be back, and I would just like to say thank you to everyone who's received this single so warmly. It means a lot to me, you know, I didn't think I'd have a single out for at least a year because we're still working on the album, so it's a very nice surprise, and I've had such nice feedback about all levels to do with this, so thank you very much, everyone, and have a great Christmas! ["Running Up That Hill" is played] [The interview proper stops after that, but makes some comments about meeting Kate that are interesting ...] I: Kate Bush, and "Running Up That Hill". And Phil Ross, the producer of this programme, and I were just in this tiny little dressing room at TV Centre when Kate was rehearsing for Monday's Wogan show, and we were slurping cups of tea together. We were only there for about ten minutes, and Thursday was just this manic day of running around and doing all sorts of different stuff, but walked out of the dressing room after spending ten minutes in the company of Kate Bush just feeling so good! She's one of those people, you know, that you meet and she makes you feel great. Certainly one of the special people, and I look forward to next year, whenever the album comes out - she wouldn't be any more specific than it'll be next year. And I'm sure she'll be our guest on the programme to introduce tracks from the album when it does come out. And don't miss the Wogan show on Monday, see Kate Bush singing "Rocket Man", and you will see on set, I believe, an empty chair with just a guitar placed on it, and that's the chair that Alan Murphy would have sat in. --- Keep well, Stephen -- | "You've been having a nightmare. | Stephen Thomas -------------------------| | And it's not over yet." | Email: spt1@ukc.ac.uk; Smail: Computing | | -- Roger Waters, "The Pros and | Lab, University of Kent, CT2 7NZ, UK; | | Cons of Hitchhiking" | Tel: +44 (0)227 764000 x 3824 |