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From: larry@csccat.cs.com (Larry Spence)
Date: 29 Mar 91 22:41:21 GMT
Subject: Re: random notes
Newsgroups: rec.music.gaffa
Organization: Computer Support Corporation. Dallas,Texas
References: <9103281411.aa06573@gorn.santa-cruz.ca.us> <RJC.91Mar29191302@brodie.cstr.ed.ac.uk>
Reply-To: csccat!larry@uunet.UU.NET (Larry Spence)
In article <RJC.91Mar29191302@brodie.cstr.ed.ac.uk> rjc@cstr.ed.ac.UK (Richard Caley) writes:
>
>In article <9103281411.aa06573@gorn.santa-cruz.ca.us>, jon drukman (jd) writes:
>
>jd> Fix the word "rape" in your mind, then go listen to "Get Out Of My House"
>jd> and see if it's any clearer...
>
>Nope, I don't see it...
>
>... [deleted] ...
>
>Personally, I don't believe the woman comes off well enough or the man
>bad enough for it to be a rape. It looks to me more like a song about
>a woman who is trying to forget her past confronted with something or
>someone which threightens to bring it back.
I thought it had been pretty well established that the track was inspired
by or somehow related to the movie "The Shining." The concierge and all
that stuff... a ghost in the house, etc. I wish I could quote a reference;
it has come up here before.
A quick TD question. Since the album was mixed to digital, is it reasonable
to assume that the US and UK masterings sound (nearly?) identical? I finally
got a UK HoL, and the difference is pretty obvious in places (e.g., beginning
of "Mother Stands for Comfort"), although as IED pointed out, there's still
a lot of tape hiss in various places. Has anyone compared the two TD
masterings?
--
Larry Spence
larry@csccat.cs.com
...{uunet,texsun,cs.utexas.edu,decwrl}!csccat!larry