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From: ed@das.llnl.gov (Edward Suranyi)
Date: Wed, 3 Jan 90 10:47:14 PST
Subject: MisK
Hello everybody! I hope everyone had a good time over the holidays. Considering how long I've been away from the newsgroup, I have surprisingly little news. I'm glad to hear that Deb's article will appear in _DISCoveries_. There's still no review in the new issue of _Rolling Stone_! Anybody know their telephone number so I can badger them? The album is listed in the charts, however: #1 on the college albums chart (of course, they got this from _The Gavin Report_, which is also the source for MTV's 120 Minutes countdown, so this is no surprise), and #24 on the regular albums chart. This latter position *is* a surprise; it's much higher than any other chart has shown. (On _Billboard_, it's down to #50 now, and it's peaked at #32 on _Cash Box_. For those curious, "Love And Anger" is still #1 on _Billboard_'s Modern Rock Tracks chart.) The Jan/Feb issue of _Option_ has a review of the album, and it's pretty good: KATE BUSH: The Sensual World Over the years Bush's voice has matured from a fingernails-on-a-chalkboard shrillness to a finely controlled instrument with amazing vibrato, falsetto and sustaining capabilities. These eleven new songs (one cassette/CD only) are perhaps the most personal of Bush's career. This album is somewhat of a celebration of sensuality; omnipotent carnal images mingle with submerged Freudian suggestions and Bush's personal revelations. Uniting Celtic instrumentation with modern technology (Bush is a studio wizard and a master with synth-sequencing gadgetry) and utilizing the likes of Bulgaria's Trio Bulgarka and uillean pipist Davey Spillane, she's taken on some heady yet intimate subject matter. The opener (said to have been inspired by Joyce's _Ulysses_) embraces the erotic world of flesh, sex, and love with its lusty rhythms and Celtic-mid-eastern accents. "The Fog" and "Reaching Out" explore childhood, adolescence, and separation ripe with earthy images and bodily metaphors. "Never Be Mine" is hopelessly romantic in its self-realization that the dream of love is often more powerful than the reality. The melody lines, hooks, and bittersweet delivery here find Bush at her most approachable; the most immediately memorable, soothing song of her career. _The Sensual World_ is clearly the work of a matured artist at the top of her form. (Columbia) -- Brad Bradberry That's it for now, folks. Ed (Edward Suranyi) | Caption: "Kate Bush goes from cult fave to Dept. of Applied Science | chart rave." -- _Billboard_ UC Davis/Livermore | (In "Was It A Hit Or A Miss" in the 1985 ed@das.llnl.gov | year-end special issue.)