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From: gatech!mit-eddie!eddie.mit.edu!henrik@uunet.UU.NET (Larry DeLuca)
Date: Tue, 5 Dec 89 22:15:01 GMT
Subject: _This Woman's Work_ & _This Man's Work_
Newsgroups: rec.music.gaffa
Organization: MIT
Well, I agree with IED - when I first heard the single mix of "This Woman's Work", I was OVERWHELMED by the strings - they just kind of grab you by the balls and pull out your innards in that way that only Kate Bush can do. Actually, I also thought of The Beatles' complaints that there was never enough bass in their records - I think this was a play by Kate Bush to get more airplay for her music by generating a sufficiently large sonic vibration in the bass that it would cause the needle to jump off the groove, the record to flip over, and the B-side to play without DJ intervention. ;-) Also, for the love-hounds in the boston area, I would appreciate your moral support - I have lined up my first gig as a solo act, at Green Street Station on January 3, 1990, sometime around 9 PM (they are having New Bands night, and I will probably be one of four). Here's what the reviewers have to say: "Absolutely Stunning! Brilliant!" - The Director "Ummmm..." - The Sound Engineer "Pretentious, Angst-Ridden Dreck." - Damian Roskill, for _Professionally Pale_, the magazine of True Artists larry...