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From: stewarte@ucscc.UCSC.EDU (The Man Who Invented Himself)
Date: Tue, 3 Oct 89 19:20:46 -0700
Subject: Re: Implorings ..., new kid
Newsgroups: rec.music.gaffa
Organization: Burst Continuous Forms -- The Magazine for Drunken Geniuses
References: <8909291710.AA23715@ide.com> <0Z9uSZy00UhBE1WBcl@andrew.cmu.edu>
Reply-To: stewarte@ucscc.UCSC.EDU (una bella finestra)
Was I only dreaming, or did Brian Patrick Arnold <ba0k+@andrew.cmu.edu> actually say: >I'll fight against my own previous argument with reason since nobody >else will: it *is* wise for admirers of Kate to pontificate her music to >the unenlightened, unwashed masses. There's enough crap being played on >the radio and the media have a very tremendous effect in affecting >people. I know many people fail to appreciate entire spectra of music >simply because it's not accessible by the various media. Well, heck, if you're going to abandon your position, I'll take it over for you. There is so much crap being played on radio that people who are really interested in music have abandoned it entirely (with the exception of some college & public stations). Therefore, the only audience that'll be affected by pushing KaTe on radio is the same one that will buy _anything_ pushed at them hard enough and often enough. Further, I question whether Kate's fans should even _want_ her to be a multiplatinum superstar. Major commercial success is inevitably followed by record company pressure to repeat that success. I doubt that Kate would actually succumb to such pressure, but it is possible. More likely, I think, is simply that having such pressures affects her work indirectly. As long as she remains a respectably-selling "cult artist", record companies are going to leave her alone for the most part. I can't help thinking of _The Battle of Brazil_, the book on the making of Terry Gilliam's "Brazil"; the author says that the worst thing that happened to Brazil was when Universal head Sid Sheinberg decided that the film could be a big hit -- with the right changes made. Everyone else at the studio expected an art-house picture, and were willing to release the film as is on that basis. Gilliam's version of the film was eventually released (Sheinberg's butchered version later appeared on TV). Can you imagine the head of CBS Records deciding that Kate Bush could be as big as Madonna, with the right changes to her "image"? I can. Your devilish advocate, Stewart -- "They call me crazy, but my name is Clifton Chenier." -- Clifton Chenier /* uunet!sco!stewarte -or- stewarte@sco.COM -or- Stewart Evans */