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From: Doug Alan <nessus@athena.mit.edu>
Date: Thu, 28 Sep 89 12:20:51 EDT
Subject: HAWKWIND HAWKWIND HAWKWIND
Reply-To: Doug Alan <nessus@athena.mit.edu>
Sender: nessus@GAFFA.MIT.EDU
I just saw Hawkwind last night and they were incredible. For those who have never heard of Hawkwind, in the 70's they were the definitive pioneers of psychedelic drone space metal. They were *the* band to see at Stonehenge. They also had some New Wavy touches before New Wave was heard of. They haven't forged any new territory in the '80's, but they can still perform their material with a vengence. They played material from all their periods from their oldest to their most recent. It was good to hear so much old material because it was in the early and mid 70's when they were at their best in songwriting. The sound system was pristine and the musicianship was perfect. The band was as tight as on a studio album. The light show they put on was fantastic. They had seven projectors: a film projector and six other sorts of projectors. They had a colored oil drop projector. They had a moire pattern projector. They had a slide projector that could spin the slide. They had a disk projector that could project a continuously moving panarama. Some of the projectors could also double as strobe lights -- strobing whatever image they projected. And they usually had them all going at the same time. The movie projector constantly projected some low-budget but really neat animation. Whoever did the animation must have used a truck-load of magic markers to make an hour and a half's worth. This was a psychedelic experience that required no drugs for the trip. The lights and music were plenty to send you wherever you wanted to go. I previously saw Hawkwind in London in '85. That show was a very big production -- they had an incredible stage set. They all dressed in black hooded cloaks. They had actors acting out the saga of Elric and topless dancers. Michael Moorcock gave readings. In some ways the performance last night was better, however. Instead of being in the Hammersmith Odeon, it was in Johhny D's, a small club. They had no costumes or actors or topless dancers or incredible stage set, but the light show made up for it all. Architectural Metaphor opened for Hawkwind. They were space music in the vein of Meddle-era Pink Floyd or Tangerine Dream. In fact, they even performed a Tangerine Dream cover, "Ricochet" They were not particularly unique as far as space rock goes, but what they did they did very well, and it was quite an enjoyable performance. "Golden Void speaks to me, denying my reality," |>oug