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From: tynor%pyr@gatech.edu (Steve Tynor)
Date: 10 May 89 20:03:09 GMT
Subject: Re: KT NEWS; and IED, against a sea of naysayers, defends himself
Newsgroups: rec.music.gaffa
Organization: Georgia Tech Research Institute
References: <8905090049.AA00302@GAFFA.MIT.EDU> <8905092011.AA06024@arc.UUCP> <8457@ihlpf.ATT.COM>
Reply-To: pyr!tynor@gatech.edu (Steve Tynor)
In article <8457@ihlpf.ATT.COM> Love-Hounds@GAFFA.MIT.EDU writes: >Really-From: barth@ihlpf.ATT.COM (Richards) >Well, it's not quite a direct mind/machine interface, but there is >something on the market now that may be one step closer (especially for us >non-keyboard players). I have recently seen a device (the exact name >escapes me) which allows you to control a cheap synthesizer by singing into >a mic. What you sing determines the pitch and rhythm, but the sound that >comes out of the speaker is one of 20 or so patches that you select. The >really good news is that the thing is midi, and can be used to control any >synth with a midi port. > >I haven't fiddled with the thing, so I don't know how well it works, but I >do seem to remember it being ~$300 at Monkey Wards. That's what I thought. I bought one of these gizmos in hopes of adding a more natural interface to my MIDI setup (a CZ101, Synergy, Sun workstation, and MIDIverb). The pitch tracking ability is really _pitiful_. It's virtually impossible to hold a steady note. I have a semi-professionally trained singing voice and can't hum well enough to use it as a synth controller. (its kind of like adding a 'random vibrato' (in semitones) to everything you do. Ugh. Oh well. I returned mine after a week of frustration. Anyone out there have a used Pitchrider (by Fairlight?) that I could take off you're hands? (I've heard that these are very useable for brass/wind instruments - how do they work on voice?) =-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-= No problem is so formidable that you can't just walk away from it. Steve Tynor Georgia Tech Research Institute tynor@gitpyr.gatech.edu