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From: riley@tcgould.tn.cornell.edu (Daniel S. Riley)
Date: 12 May 89 15:15:31 GMT
Subject: Re: KT NEWS; and IED, against a sea of naysayers, defends himself
Newsgroups: rec.music.gaffa
Organization: Cornell Theory Center, Cornell University, Ithaca NY
References: <1960@mtdca.UUCP>
Reply-To: riley@tcgould.tn.cornell.edu (Daniel S. Riley)
In a very positive article, George (gfd@att.att.com@mtdca.att.com) writes: [...] >the studio has certain limiting factors (to our minds), but Kate seems unaware >of them (and thus they don't exist! (there is a nice explanation of this idea in >_Zen in the Art of Archery_ by Eugene Herrigel)). These are ideas that both >Debussy and Cage explored. They did not see limitations in there work. That is >a feeling I get with a few of Kate's records: the artist's total indifference to >the ideas of limitation in their composition. I agreed somewhat with IED's and |>oug's comments on the subject, but this is the first message in this thread that I absolutely, unreservedly agree with. "total indifference to the idea of limitation" is a wonderful way of putting it, and agrees exactly with the impression I get from Kate's music. It also distinguishes between Kate and some of the other artists mentioned with a clarity that I think both |>oug's and IED's arguments lacked. But of course, that's just my opinion. Some familiarity with Zen helps. >P.S. If the tone of this article sounds a little negative, it is not meant to > be. Actually, I thought it was wonderfully positive, even downright inspirational. -Dan Riley (riley@tcgould.tn.cornell.edu, dsr@crnlns.bitnet) "This moment in time/It doesn't belong to you/It belongs to me/ And to your little boy and your little girl/ And the one hand clapping/ Where on your palm is my little line/When you're written in mine/ As an old memory"