Re: Oops. Correction and apology.

[keving@gaffa.SGI.COM (Kevin Gurney)]

> From: IED0DXM%UCLAMVS.BITNET@MITVMA.MIT.EDU

>> The guitar part for John Williams in "The Morning Fog" is an
>> example of a part that Kate wrote out note for note.

> 		IED should have said that the _cello_ part for
> _Jonathan_ Williams in "Hounds of Love" is the only time (for the
> _HoL_ LP, at least) Kate actually hand-notated the musical part.
>      Sorry about that.

> -- Andrew Marvick


Is IED sure? The 'cello part for HoL only has one stinken note in it!
Well, okay, two notes (but the second is just an octave of the first).
I can hardly imagine Kate (or anyone else for that matter) sitting down and
writing that out. Hell, even I picked it up the first time I heard it.

In any event, from a musical point of view, how
valuable/necessary/informative are the transcriptions in "KaTe Bush
Complete"? As a musician I've often been curious about how some of the
tricker effects were produced. Am I going to learn anything from KBC,
or is it just two-fingered piano music with guitar chords above?

Dying to play the cello in the next KaTe tour...

--
keving @ gaffa.sgi.com
"Suddenly my feet are feet of mud. It all goes slo-mo.
I don't know why I'm crying. Am I suspended in gaffa?" 
		-KaTe Bush