Cloudbusting -- Kate
Bush In Her Own Words
and Dream Of Sheep
- The side is about someone who is in the water alone for the night.
``And Dream of Sheep'' is about them fighting sleep. They're very
tired and they've been in the water waiting for someone to come and get them,
and it's starting to get dark and it doesn't look like anyone's coming and they
want to go to sleep. They know that if they go to sleep in the water they could
turn over and drown, so they're trying to keep awake; but they can't help it,
they eventually fall asleep - which takes us into the second song. (1985,
KBC 18)
The continuous flow of music on a compact disk masks the fact that
hounds of love
and the ninth wave were conceived as two quite separate sides to
the album.
- Yes they were. I started off writing, I think, `` Running Up That Hill", ``
Hounds of Love", and then I think probably ``Dream of Sheep.'' And
once I wrote that, that was it, that was the beginning of what then became the
concept. And really, for me, from the beginning, The Ninth Wave
was a film, that's how I thought of it. It's the idea of this person being in
the water, how they've got there, we don't know. But the idea is that they've
been on a ship and they've been washed over the side so they're alone in this
water. And I find that horrific imagery, the thought of being completely alone
in all this water. And they've got a life jacket with a little light so that if
anyone should be traveling at night they'll see the light and know they're
there. And they're absolutely terrified, and they're completely alone at the
mercy of their imagination, which again I personally find such a terrifying
thing, the power of ones own imagination being let loose on something like
that. And the idea that they've got it in their head that they mustn't fall
asleep, because if you fall asleep when you're in the water, I've heard that
you roll over and so you drown, so they're trying to keep themselves awake.
(1991, Classic Albums)
Going back to the obscurity of some of your songs that are personal
to you, and how you feel people pick up on this - can you give some detailed
examples?
- I think it works on the basis of: if it moves you, it could move
others. Hitchcock was talking about his films and saying the best subjects for
his films that were frightening were things that frightened him - like
Vertigo. Apparently he was terrified of heights. It seems logical,
doesn't it?
Yeah, sure. Hitchcock was brilliant.
- Yes, I agree, a genius. An engineer we were working with picked out
the line in ``And Dream of Sheep'' that says ``Come here with me
now.'' I asked him why he liked it so much. He said, ``I don't know, I just
love it. It's so moving and comforting.''
I don't think he even knew what was being said exactly, but the song is about
someone going to sleep in the water, where they're alone and frightened. And
they want to go to sleep, to get away from the situation. But at the same time
it's dangerous to go to sleep in water, you could drown. When I was little, and
I'd had a bad dream, I'd go into my parents' bedroom round to my mother's side
of the bed. She'd be asleep, and I wouldn't want to wake her, so I'd stand
there and wait for her to sense my presence and wake up. She always did, within
minutes; and sometimes I'd frighten her - standing there still, in the darkness
in my nightdress. I'd say, ``I've had a bad dream,'' and she'd lift bedclothes
and say something like ``Come here with me now.'' It's my mother saying this
line in the track, and I briefed her on the ideas behind it before she said it.
And I think it's the motherly comfort that this engineer picked up on. In fact,
he said this was his favourite part of the album. (1987, KBC 21)
Gaffaweb /
Cloudbusting / Music /
and Dream Of Sheep