Gaffaweb >
Love & Anger >
1997-33 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: Mereminne <merminne@concentric.net>
Date: Fri, 31 Oct 1997 02:13:01 -0500
Subject: interpretations
To: rec-music-gaffa@uunet.uu.net
Approved: wisner@gryphon.com
Content-Transfer-Encoding: 7bit
Content-Type: text/plain; charset=us-ascii
Newsgroups: rec.music.gaffa
Organization: Mereminne Productions
Reply-To: 1562@uunet.uu.net, First@uunet.uu.net, Avenue@uunet.uu.net, #355@uunet.uu.net, NY@uunet.uu.net, NY@uunet.uu.net, 10028@concentric.net
Re: interpretation of songs ("Cloudbusting" debate) There are so many ways to go (in songs and in sex!): What was the writer's original inspiration or story line? Why did the artist feel moved to write this particular song? What did it mean to their life? What does this song make you, personally, think of or feel? Was the writer conscious of any other possible nuances/connections/interpretations/horrible associations/reactions (as in, kids who leave notes that they killed themselves because of this or that song? or lovers who see the song as magically "theirs"? or people who triumph over crushing odds because of the inspiration of the song? or people who head corrupt multinational corporations because they listened to too much _____________ music :-))))? Did the writer allow the song to come out ;-) freely without questioning why/what/how/who? anyone was going to interpret it, maybe being amazed themselves at how many possible implications it had besides their conscious inspiration? Kate deals so often with sexuality/sensuality that her work has a lot to say to everyone on those levels regardless of their sexual orientation. That's what makes her a great artist. She doesn't have to intend to reach so many people, she just does. She's a conduit. Love, mereminne (& take your vitamins)