Gaffaweb >
Love & Anger >
1997-18 >
[ Date Index |
Thread Index ]
[Date Prev] [Date Next] [Thread Prev] [Thread Next]
From: Robb McCaffree <nsrjm@mednet.ucla.edu>
Date: Sat, 12 Jul 1997 04:33:49 -0700
Subject: Re: Forwarded from Mike H <mikeh@bj-clark.demon.co.uk>
To: rec-music-gaffa@ucsd.edu
Approved: wisner@gryphon.com
Content-Transfer-Encoding: 7bit
Content-Type: text/plain; charset=us-ascii
Newsgroups: rec.music.gaffa
Organization: UCLA Medical Center
References: <3.0.2.32.19970707100113.006a7654@pop.sirius.com>
Mike H. wrote: > > > >Unfortunately for them she was in no fit state to do anything else for > >at least 6 months. EMI were forced to change their minds in the end > >though - the Americans loved TD. You still do, don't you? > > Well...*I* do, but I don't think The Dreaming was much of a commercial success here -- at least not to the degree that would make EMI eat their words. It's possible that -- since it is such a huge market here, and since TD was only the second album released (behind TKI) -- that EMI did make more money from American than from UK sales. I think TD sold in the tens of thousands (60,000?) in the UK. An album could very well sell that many copies here without even appearing in the charts. I do think TD was reviewed well here. I do remember Kate herself noting that. In some interview or other, she mentioned the harsh reviews in the UK and being surprised that the American reaction was much kinder. She was surprised because, musically, Americans are not big on the experimental and different. I also remember one great review (wish I'd saved it) in "Song Hits" magazine which described TD as "not exactly rock music" but hastily added that audiences "should check this out!" TD was my first Kate album. I was dismayed to hear its weird textures upon my first listen (when I'd chanced a whole $8 on it!). "How could someone so obviously talented vocally be so misguided musically?" I thought. That "hackles on the cat STANDING" line was as powerful a belt as anything my then favorite, Pat Benatar could offer. But the rest of it...yech! But then it grew on me...and grew and grew! I listen to Kate so often now, that it leaves the hackles on some of my friends STANDING! And, BTW, it wasn't the review which prompted me to buy the album. It was Benatar's cover version of WH, written by some K. Bush, that made me want to investigate. I wonder if I would've ever run across Kate otherwise. Robb