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From: Leigh.Perkins@sset.com
Date: Thu, 10 Jul 1997 09:44:53 -0700
Subject: Re: 9th wave
To: love-hounds@gryphon.com
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Hi Dan, Hi Ron Dan - I have to agree with Ron as far as TRS is concerned - every other KB CD I have is practically worn down to the plastic, except TRS. In TKI, LH, TD, HOL and TSW I cannot find a favourite nor a hated track. However, no matter how many times I listen to TRS, I find it cold and staccato in places (so sue me). I'm afraid indifference has taken me on this one. Slatings one at a time please. Leigh ______________________________ Forward Header __________________________________ Subject: Re: 9th wave Author: love-hounds@gryphon.com at INTERNET Date: 7/6/97 7:22 PM Ron, I have to disagree with you on The Red Shoes and The Sensual World. Comparing the Cure material to the The Sensual World? Check out the vocals on Eat the Music; they are sublime. I trust Kate's judgement. I am at her mercy. Dan Ronald W. Garrison wrote: > > My own preferences? (Everyone else seems to have a list.): > > 1. Hounds of Love--possibly the most delightful musical surprise I > ever had (late November 1985). After hearing RUTH on the radio a couple > of times, I patiently waited until the CD came out, and took a chance on > it (never heard anything else by Kate). > > 2. The Dreaming--OK, this is not for everybody, I know, but I connect > to it on a level I can't explain. Funny thing is, the criticisms I've > heard of TD ("Dark, brooding...") are almost opposite to what people > said about HOL (from "Rock's eternal kid", as one Rolling Stone reviewer > called her) > > 3. Never For Ever. The material isn't as moving as on the above two, > but it certainly has some amazing vocal demo moments ("Violin" is > nothing if not impressive singing, from a purely stunt/technical > standpoint). > > 4. TKI, LH These have their moments, but that high, "drunk little > girl" voice--well, a little goes a long way. > Some of the lyrics on TKI are pretty obscure too--although I know that, > with Kate, once you get the idea what a song is about, often it all > suddenly pops into focus. > > 5. TSW--Again, some really beautiful parts, but I think the influences > on her were not the best for creating her best music--Why didn't she > just front for the Cure for a few years, it might've had the same > effect? > > 6. TRS--I don't get this one at all, except as (1) a reach for > commercial appeal, and (2) a reaction to themes of despair and death, > prompted by her mother's death (but only in places). >