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From: "Bullard, Claude L (Len)" <clbullar@ingr.com>
Date: Wed, 4 Jun 1997 12:08:56 -0500
Subject: Gaffa Revisited
To: "'love-hounds@gryphon.com'" <love-hounds@gryphon.com>
Approved: wisner@gryphon.com
Encoding: 34 TEXT
A contribution to the eternal debate as to the meaning of Kate's "Suspended in Gaffa". Here is view by way of comparison. "...those that love the world serve it in action, Grow rich, popular and full of influence, And should they paint or write, still it is action: The struggle of the fly in marmalade. The rhetorician would deceive his neighbours, The sentimentalist, himself; while art Is but a vision of reality. What portion in the world can the artist have Who has awakened from the common dream But dissipation and despair? ... I seek an image, not a book. Those men that in their writings are most wise Own nothing but their blind, stupefied hearts. I call to the mysterious one who yet Shall walk the wet sands by the edge of the stream And look most like me, being indeed my double, And prove of all imaginable things The most unlike, being my anti-self, And standing by these characters disclose All that I seek; and whisper it as though He were afraid the birds, who cry aloud Their momentary cries before it is dawn, Would carry it away to blasphemous men." - Ego Dominus Tuus - From "The Wild Swans at Coole" by William Butler Yeats - 1919 len bullard