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From: IEDSRI@aol.com
Date: Sat, 1 Jul 1995 21:48:46 -0400
Subject: The State of Fruitopia
To: Love-Hounds@uunet.uu.net
In response to Karen's suggestion, here is an updated description of all eleven Kate Bush-scored Fruitopia commercials seen in the U.S. to date. N.B.: These were NOT scored by Cocteau Twins or Liz Fraser, though IED greatly appreciates Steve ZPJ's report explaining that UK audiences are hearing Liz Fraser and not Kate. IED therefore produces the information below even though European fans' interest in the following may perforce remain only academic. ------ FRUITOPIA: A LIST OF KATE BUSH-SCORED COMMERCIAL FILMS General note: These are the TV ads (and one theatre ad). They reportedly do not correspond to the radio ads, though IED has never heard those. In one respect, however, they are different from any radio ad (and this is why they are so wonderful): the TV ads have no spoken-word vocal pitch to obscure Kate Bush's music. All the text in the ads is read-only. Note that although several new (1995) Fruitopia commercials have been aired in the United States, only one of these actually contains new Kate Bush music not heard in any of the first (1994) collection. IED mentions this because several people have reported seeing additional 1995 spots; unfortunately, these are simply new visuals attached to Kate's earlier (1994) musics. Please forgive any awkwardness in IED's description of the visuals and (particularly) the music. It's the best he could do. Finally, IED takes no responsibility for the slightly nauseating tone of the texts and the names of individual flavors of Fruitopia. I. 1994 commercials: 01. TITLE: "Fighting Fruit" (official Coca-Cola title). 30 seconds. Specific flavor touted: Fruit Integration. TEXT: "The apples don't fight the pineapples in Fruit Integration. People could learn a lot from fruit." VISUALS: This ad, like all of them, end with the tag line, "For the mind [represented by a simple drawing of a head], body [stick figure], planet [sketch of Earth]." Visuals include recognizable shots of pineapple. MUSIC: 4/4, mid-tempo. A pretty melody by high synth, with heavy synthetic drum-kit rhythm (snares on second and third downbeat of each measure); halfway through, Kate (her voice recognizable), chants gleefully, "Hey! Hey! Juice!" 02. TITLE: "Nice" (official title). 30 seconds. FLAVOR: Pink Lemonade Euphoria. TEXT: "If your mouth can't say something nice, put something nice in it. Please try Pink Lemonade Euphoria." VISUALS: Very yellow, with some pink -- lots of lemons, starting out against a black background. MUSIC: 4/4, mid-tempo. A synthetic tribal bass-drum sound on the first downbeat of each measure is the only percussion, and the main instrumental music, carried by synthetic flutes (in simple two-note chords), is a cadence of syncopated sixteenth-notes. Over this Kate (barely recognizable -- some listeners originally described this as sounding like Japanese schoolgirls) chants what sound like (but may not be) English words including the phrase "something's coming". 03. TITLE: "Passion" (IED's title). 30 seconds. FLAVOR: Strawberry Passion Awareness. TEXT: "The ancient Maori believed passion fruit was a powerful aphrodisiac. Hey, it couldn't hurt. Try Strawberry Passion Awareness." VISUALS: Lots of strawberries and halved apples. MUSIC: 4/4. A chorus of tribal drums, with two harmonically unrelated descending minor thirds (the first in staccato triplets, the second in legato dotted quarter-notes) the only other music. 04. TITLE: "Raspberry" (IED's title): 30 seconds. FLAVOR: Raspberry Psychic Lemonade. TEXT: "There is a wonderful person inside you who is dying to get out. Please drink a Raspberry Psychic Lemonade for him/her." VISUALS: Starts with raspberries against a black background, also lots of lemons. MUSIC: 4/8. Slow bongo rhythm, with a pretty little melody by electric piano, and a soft synthetic bass. 05. TITLE: "Message of Love" (IED's rather yucky title). 30 seconds. FLAVOR: Lemonade Love and Hope. TEXT: "If you can't judge a fruit by the color of its skin, how can you judge a person that way? A message of Lemonade, Love and Hope." VISUALS: Completely yellow, nothing but lemons. MUSIC: 4/4, medium-fast tempo. Tabla drum pattern with mandolins (?) supporting Kate's (recognizable) "drum-talk" (?) -- the "digguh-dah, digguh-dah" stuff (Indian) that Sheila Chandra has made popular (though it can be heard at the end of Kate's1982 track, "Get Out of My House", too). 06. TITLE: "Soul" (official title). 30 seconds. FLAVOR: Citrus Consciousness. TEXT: "This is what Citrus Consciousness can do to your tongue. Imagine what it can do for your soul." VISUALS: Lemons, limes and oranges. The text is revealed on the screen one word at a time, each word appearing simultaneously in different parts of the screen. MUSIC: 3/4, medium-slow. This is a wistful little waltz, with synthetic pizzicato strings setting the beat, and synthetic oboes (?) playing an odd, childlike melody that begins in a single voice, ends with harmony a third below. 07. TITLE: "Where Were You?" (IED's title). 30 seconds. FLAVOR: Cranberry Lemonade Vision. TEXT: "Where were you when: the second man walked on the moon? the Berlin Wall went up? This commercial started? You had your first Cranberry Vision?" VISUALS: Begins with a shot of lemons that look a little like Pacmen against a black background. Most of the ad shows deep red cranberries and bright yellow lemons against a deep greenish-gold background. MUSIC: 4/4, mid-tempo. Begins and ends just with sampled (?) hand-claps; features a simple synth keyboard melody in block chords set against a basic drum-kit beat. 08. TITLE: "Teaser" (IED's title). 30 seconds. FLAVOR: No specific flavor is mentioned. This ad appeared very early in the campaign. Not to be confused with ad no. 9, also for no specific flavor. TEXT: "The following 30 seconds will not inspire: violent crime, a religious experience, conscpicuous consumption. It may, however, make you thirsty." VISUALS: Great variety of colors, none dominant. Ends with some pale purplish colors, turning to red (cranberries or cherries) against a near-black background. MUSIC: 4/4. Slow. A quiet heartbeat drum-pattern is the only percussion. A lazy melody by an electric piano sounds quasi-improvised. 09. TITLE: "Summer Solstice" (official title). 30 seconds (see No. 10). FLAVOR: No specific flavor is mentioned. TEXT: "The summer solstice is: a pagan ritual. The summer solstice is: the first day of summer. The summer solstice is: a happy day for people who practice voodoo. The summer solstice is: the first day of Fruitopia." VISUALS: The most varied use of color, showing all kinds of fruit in quick succession, starting with a lot of red grapes (looking dark gray) against a black and red background. MUSIC: 4/4. Medium-slow. Cymbal-free drum-kit percussion; a heavy, repetitive bassline on a single minor third; weird, high melody-line by unidentifiable synth voice; and Kate's voice (recognizable) half- muttering half-words, and (sampled) again, singing what sounds like a loop of "boy-boy-boy, boy, boy-OY, boy, boy!" 10. TITLE: "What If?" (official title). 60 seconds. WIDE-SCREEN. N.B.: This ad, twice the length of all the others, was made for screening in movie theatres. The ad includes the footage from No. 09 ("Summer Solstice") above, and reveals that the shorter version was a pan-and-scan of the wide-screen original. FLAVOR: No specific flavor is mentioned. TEXT: "What if. . . nobody voted? you die not knowing? you never fall in love? extraterrestrials are us, not them? the experts are wrong? fashion does matter? everybody was the same color? virtual reality is reality? you hugged the person next to you? you are alone? there were no last names? there really is someone out there? you never read 'Madame Bovary'? the cynics are right? you spill your popcorn? everybody could draw? everybody could sing? you never needed a passport? nobody was hungry? tribes didn't exist? you didn't attend Woodstock? you're thirsty? the end is near? people stop reading? nobody had to sleep alone? this movie changes your life? your pet is your best friend? nobody cried? this is all there is? Fruitopian queries have no answers?" VISUALS: Same as No. 09 above, but longer, and wide-screen. MUSIC: Same as 09, only a longer re-mix. II. 1995 commercials: 11. TITLE: "Some People" (first shown during 1995 Oscars). 30 seconds. FLAVOR: Iced Tea/Inner Light (no specific flavors). TEXT: "Some people like/hula dancing,/sitcoms,/drag racing,/ public television,/romance novels,/ice fishing,/body painting./Everybody gets thirsty differently." VISUALS: A red and white stripes give the first part of the ad a kind of peppermint look; as part of the "new look" of these second-generation spots, non-fruit items, among them an acoustic guitar and a marble head of a Greek goddess, are thrown into the kaleidoscopic mix. MUSIC: 4/4. Major key. Bass tabla cadence. Kate's backing vocals sing "Ah-wee-ay, ah-wee-oh, ah-wee-ay..." and are answered by Kate's main vocal (very clearly identifiable as Kate) singing some phrases that sound tantalizingly like words but which IED cannot decipher. The article in "Shoot!" magazine, which alerted us all to Kate's connection with Fruitopia, mentioned a total of nine ads, and this was confirmed in telephone conversations with two people connected with Coca-Cola. (The music in No. 10 ["What If?"] is the same as in No. 9 ["Summer Solstice"].) With the addition of the new Iced Tea/Inner Light ad, we have a total of eleven Kate Bush ads, of which 10 contain distinct musics. -- Andrew Marvick (IED) S R I "Hey! Hey! JUICE!"