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From: ied0dxm@aol.com (IED0DXM)
Date: 5 Aug 1994 20:18:02 -0400
Subject: re: Tape Tree, Fruitopia, Kate as God
To: rec-music-gaffa@uunet.uu.net
Newsgroups: rec.music.gaffa
Organization: America Online, Inc. (1-800-827-6364)
Posted-Date: 5 Aug 1994 20:18:02 -0400
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Millions of thanks to Peter Manchester, Chris Williams and all the others who worked so hard and well to make the Tape Tree work. IED loves his copy, and applauds the fine results of your collaboration. Thanks to Bob Lovejoy, too, for his hugely appreciated news report about the Fruitopia campaign! IED was unfortunately too late reading Bob's posting to do anything about getting a tape of the spots from Chiat/Day in time for Karen's fiercely anticipated postKatemas party tomorrow, but perhaps we will be successful later on. Meanwhile, IED (and he hopes many others in this group) will be trying to capture Fruitopia ads on TV in the coming days. Did Peter FitzGerald-Morris and the Homeground crew know of this unexpeKTed turn in Kate's career? Btw, if Kate has been wise enough to negotiate for residuals on this account, she stands to make more from the Fruitopia ads than she's ever made from all her album and single sales combined. > From: as010b@uhura.cc.rochester.edu (Tree of Schnopia) > Subject: Re: songs i hate > Why do I dislike "You Want Alchemy"? The chord progression is > dreadfully monotonous, the Kate-screech is wasted on the wimpy > chorus, and a charming motif is ruined by a lack of interesting > treatment. > Go to town! > -- Drew > Andrew D. Simchik, > as010b@uhura.cc.rochester.edu, simchik@cs.rochester.edu Never! IED appreciates your explanation. Naturally, he doesn't share your judgement that the chord progression is monotonous (though it is repetitious), that the Kate-screech is wasted on the "wimpy" chorus (though the disharmony between what he prefers to think of as Kate's impassioned vocal and the [rather "languid" than "wimpy"] chorus is striking), or that the "perfectly charming motif" (which all will long since have identified as a quotation of a phrase from Debussy's Clair de lune) is "ruined by a lack of interesting treatment" (though he concedes that the recording is more or less the same from beginning to end). Nevertheless, your points are instructive and do a lot to explain your opinion to this hopelessly devout follower of Kate. IED is so weak as to be unable to resist composing a reply to Peter Blues Man Paolini's poetic admonitions in like fashion (please forgive him in advance): > I love Kate too Perhaps you do. > Kate's not God Oh, yeah? Says who? > God's not Kate He doesn't rate. > There's no need too [sic] exacerbate Let us instead asseverate (that) > I'm not her Of that we're sure; no one will demur To concur: You are not her; And all will agree: Nor are you she. >She's not me No, certainly. Nor, praise She Who Really Be, Is she I (ED). > Get a hold of reality But "dreams *are* reality," Once said She (Who Really Be), Our Lady Of B. (K.T.) Or, to quote freely James James Morrison Morrison Wetherby George Du Pre (Who, though he was only three, SAID to his mother, said he), "You must never go (down) To (the end of) town Without consulting K.T.!" -- Andrew Marvick (IED or, "I, the Twee") Go to town!