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From: Peter Byrne Manchester <PMANCHESTER@ccmail.sunysb.edu>
Date: Sat, 30 Jul 1994 01:52:43 -0400 (EDT)
Subject: Excruciating
To: love-hounds@uunet.uu.net
Cc: pmanchester@ccmail.sunysb.edu
Content-transfer-encoding: 7BIT
A single word runs like a kind of meta-thread through the many posts
this week about the unedited Night Flight interview: *excruciating*.
Yes, it is, isn't it? Chris Werner Schwarz <cschwarz@icaen.uiowa.edu>
has me in his corner when he confesses:
> Oh the pain! Here, before you all, I must confess my lack of emotional
> fortitude and willpower. I got about three minutes into the interview
> before screaming "it hurts!" and punching 'FF' on my trusty remote. I
> repeated this procedure about three times until the evil vision had
> passed. I probably won't be able to watch it completely until I am
> surrounded by the support and encouragement of other lovehounds.
I've put myself through longer patches, but they don't add up to the whole
thing even piecemeal, and I can hardly imagine withstanding the whole
experience in one take.
Yet Kate Bush not only had to *live through it* in one take, she had
to retain enough composure and marshall enough professionalism to give them
editable product!
I remember seeing the Night Flight hour and a half on Kate several
times in early 1986 (it first showed in late January, I believe) and have it
on tape. The half-hour interview segment seemed a little reserved and
lacking in enthusiasm at the time, but it is incredible to discover from the
session tape itself just how much she had to mask.
The reason this tape is important and deserves to be part of The
Lovehounds Collection--excruciating as it is!--is historical. That single
day in November, 1985, goes a *long* way toward explaining what so many of us
have been decrying since last fall: Kate's tendency toward playing mind-
tapes in interviews, serving up canned comments, closing her face against
spontaneity or enthusiasm, and flashing the Ultimate Barrier...that ~smile~.
How far she has closed the door can certainly be seen by contrasting
the Night Flight interview with Profiles in Rock, for example. While the LH
Collection is not arranged chronologically, it makes a lot of history very
visible. It gives me a lot to think about in understanding the somewhat
formal and reserved and all-too-brief appearance Kate made for this year's
Convention at the Palladium.
............................................................................
Peter Manchester
"It wouldn't take me long, pmanchester@ccmail.sunysb.edu
to tell you how to find me" 72020.366@compuserve.com