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From: chrisw@fciad2.bsd.uchicago.edu (chris williams)
Date: Thu, 19 May 94 20:57 CDT
Subject: Re: SOS `Del Palmer: The Red Shoes Sessions' [LONG]
To: love-hounds@uunet.UU.NET
In-Reply-To: <01HCI2ZFGTEAAAXD60@ccmail.sunysb.edu>
Newsgroups: rec.music.gaffa
Organization: FCIA Univ. of Chicago
>FROM: Sound on Sound (Europe's No. 1 High-Tech Music Recording Magazine) > Volume 9, Issue 2 (December 1993), pp. 52-57. > >Del Palmer >THE RED SHOES SESSIONS > >[Sidebar] There's been a lot of publicity about Kate Bush's new album, _The >Red Shoes_; RICHARD BUSKIN goes behind the scenes with engineer/producer Del >Palmer to discover exactly how the album was recorded, and how pop's most >enigmatic lady really works. > > THAT VOCAL SOUND > >The trademark Kate Bush sound that has been developed over the course of the >last four albums owes a lot not only to the pulsating, highly atmospheric, >slightly discordant noises that seem to emanate from every direction, but >also her own unique vocal style, with its breathy delivery and haunting >presence. > > "I can't take any credit for Kate's vocal sound," admits Palmer, >"because it was originally shown to me by an engineer called Paul Arden who >taught me so much. He would explain anything that I asked him about. One >day he couldn't make a session, so he said, `Why don't you do it?' So I did, >and he showed me how to get the sound which they had started using on The >Dreaming. Kate loved it, and ever since then we've been using it. This indicates that this interview was taped and transcribed. As far as I know, Kate has never worked with an engineer named Paul "Arden" but *has* worked with an engineer named Paul Hardiman on _Hounds Of Love_. > One of the distinguishing aspects of tracks such as `Rubberband Girl' >and `Big Stripey Lie' is the pumping five-string bass sound, courtesy of John >Gidman playing in the recording area <??Disparity Alert>. His G&K amp was >placed in the studio kitchen (for separation from the drums) and miked with >an Electrovoice RE20. Here is another one. Kate hasn't worked with a bass player named John "Gidman" but *has* worked with John Giblin (on _Breathing_.) These may be Peter's transcription errors, but as I didn't notice any other spelling errors, I doubt it. The errors were probably introduced by the original transcriber of the interview tape. So I wouldn't take this as the most accurate of interviews. Chris Williams of Chris'n'Vickie of Chicago chrisw@fciad2.bsd.uchicago.edu (his) vickie@njin.rutgers.edu (hers)