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From: nbc@inf.rl.ac.uk
Date: Fri, 10 Dec 93 17:10:24 GMT
Subject: Q Magazine and film report
To: Love-Hounds@uunet.UU.NET
Content-Length: 1817
>From: smith drt <p0070421@cs3.oxford-brookes.ac.uk> >Subject: Q Magazine KaTe Film > >Below is a brief write up of KaTe's The Line, The Cross and The Curve that >I discovered in the stoires pages of Q Magazine. > >---------------------------------------------------------------------------- >On the other hand, the buffeting she took from a >combination of hyperfans and paparazzi while leaving the Odeon West End could >put her off a further re-emergence from the Bush compound for some time to >come. > There was a rugby scrum around Kate as she tried to leave. I followed the throng out onto the street but could not even spot Kate in the melee (well she is small!). I think it would have been much better to show the film at the National Film Theatre where they are much more accustomed to dealing with stars and directors. >The story.review also appears with a picture of Kate alongside someone called >Rosa Bosch (forgive my ignorance but I don't know who Rosa Bosch is). I think she was just one of the organisers from the festival committee. In fact she did not handle the whole affair very well. Before the first film she said its director would come up at the end, then they would show Kate's film and then she would come up and speak about it. What actually happened was that she called kate up before TLTC&TC was shown. Then after the film everyone was a bit confused as to whether Kate would say anything else. When no one appeared at the front to invite her up people did not know whether to wait or leave. In the end Kate and her group started to go, were surrounded by people and it all became a bit chaotic. At the NFT it is normal for the directors to come up after the film and answer questions and then they are sheparded out through side doors. At the Odeon none of this was possible, Neil