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On her first album in 1988, she sang the songs of a teenager--a talented teenager, who seemed to write the songs of _Touch_ without touching. Still, with some tunes and a voice that floated between Kate Bush and Elizabeth Fraser of the Cocteau Twins, Sarah McLachlan was hailed as one of Canada's promising singer-songwriters. Her next album, _Solace_, occured somewhere along the path from innocence to experience: it challenged but without completely letting go. Rolling Stone magazine described her in glowing terms. More albums sold. That is the past. This is now. And the time has come to sing of life and tattered heartstrings, for at the ripe old age of 25 McLachlan has just released her third album, _Fumbling Towards Ecstasy_. It is her most accomplished disc; songs still stroke the senses alive but do so with more of an edge. "_Fumbling Towards Ecstasy_ is the perfect metaphor for life, as far as I'm concerned, because we're continually making mistakes. But we're also always striving for that ecstasy," she says in a telephone interview from the Nettwerk record company office in Vancouver. "One of my good friends said to me the othe day that a couple of years ago, when she first met me, I was so serious and now I'm not anymore. It's true. When you're younger you want to be taken seriously, so you think you have to act seriously." "She said the change is great because I'm not growing up any more. I'm growing down. I still get serious, I just try to balance whimsy as well." Whimsy is not the word that springs to mind when listening to _Fumbling Towards Ecstasy_. Yes, one song features the line, "Your love is better than ice cream," but that's about all the chuckles you're going to find. What makes this album more focused, more impassioned is its lyrical grounding in reality and the fact the music is stak yet strong, buoyed by arrangements that subtley support McLachlan's impressive vocal range. "This record is more than a lesson in freedom than _Solace_, where I was more concerned with craftsmanship. This was the first time I felt I could truely let go and only by doing so could I be truely honest, musically and lyrically, just digging way deeper into myself than I've done before. "That quest for self-identity has driven me quite strongly in the past year and a half, especially after being on the road (touring) for so long and feeling like I was skimming the surface because I had so much outside input 24 hours a day. I was never alone. Life can get diluted so easily through too many outside influences. "Your brain starts to eat itself." McLachlan spent time alone in the mountains outside Montreal and stopped the brain-ot. The result was her best lyrics yet. -- -------------------------------------------- PGP public key available upon request... --------------------------------------------