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From: as010b@uhura.cc.rochester.edu (andrew david simchik)
Date: Wed, 2 Dec 92 02:35:29 GMT
Subject: Re: (no subject given!)
Newsgroups: rec.music.gaffa
Organization: University of Rochester - Rochester, New York
References: <9212020113.aa22701@hobbes.sco.com>
Sender: news@galileo.cc.rochester.edu
In <9212020113.aa22701@hobbes.sco.com> news@sco.COM (News admin) writes: >as010b@uhura.cc.rochester.edu (andrew david simchik) writes: >>Well, I think the answer comes from your own posting. You speak of the >>inability of the engineer to improve music by "gold plating" it. And >>plating is all it is; "turdy" music is still "turdy" no matter how it's >>plated, and good music is still good no matter how *it's* plated. >chill out, man! i wasn't saying the music was turdy. i was saying the >recorded sound quality of the raw tracks was turdy and it isn't kevin >killen's fault for not making a crystal clear album. you need good raw >tracks to work with - the best mixologist in the world can't turn hissy >distorted tracks into a crystal clear finished mix. Ah, I see, sorry. >so, having skillfully defused that bomb, i guess we can safely toss most of >your article, as it builds upon that faulty assumption to an equally >fault-ridden conclusion. Well, now, I think that's more of an opinion. >anyway, i agree that having a tin ear is a good thing. for years now i have >been able to discern incredibly small differences in pitch and it drives me >absolutely spare because it seems that no two tape decks run at exactly the >same speed. i make a tape at home, and when i listen to it in my car it is >noticeably (to me) fast. i hate it. to add insult to injury, i don't even >have perfect pitch, just some weird holographic-like memory for sound. >guess i should just get a CD player for the car... Yeah, I know what you mean. But my original point was that, as a singer, I listen more for the quality of Kate's voice than her technical sound quality. The engineering doesn't bother me; the tobacco-marred voice does a bit. >well, as i said about eight gazillion times when TSW first came out - i >wouldn't harp on the sound quality so much if the songs were better. i can >overlook a certain amount of audio detritus if the songs are worth the >effort. but they aren't up to kate's usual high standards and thus the >faults in the recording are rendered all the more obvious. Ooooh, no no no. Kate has some of her best songs on this album. They're different, I grant you, but absolutely brilliant. I think you're missing the shift in style--see my post aboutthis album. If need be I can take it song by song and tell you why they're just as good or better than anything she's done. >>P.S. I don't mean this to sound rude, but does your above post really mean >>to say that you are a "certified...beautiful person?" If so, where does one >>acquire a certificate? >i got it at the school of hard knocks, baby. i also have a PhD in being >incredibly charismatic, as well. Ah, I see. Does that mean you actually had to *study* for this? :) >-- >Jon Drukman (God's personal DJ) uunet!sco!jondr jondr@sco.com >------------------------------------------------------------------------------- >I was an infinitely hot and dense dot. Drewcifer -- *************************************************************************** * Andrew David Simchik, a.k.a. Drewcifer *************** SCHNOPIA! ******* ***************************************************************************