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From: bsbbs!nrc@uunet.UU.NET (N. Richard Caldwell)
Date: Thu, 9 Jan 1992 01:01:39 -0800
Subject: Re: "rocKeT man"
To: love-hounds@wiretap.spies.com
Organization: The Big Sky BBS (+1 614 864 1198)
ag@sics.se (Anders G|ransson) writes: > >>>>> In article <ey64cB2w164w@bsbbs.UUCP>, nrc@bsbbs.UUCP (N. Richard Caldwe > > R> I do see something positive and promising in _Candle in the Wind_ > R> but rather than disrupt the gloomy tone of this post I'll save it > R> for later. > There is indeed something in this recording that makes you look > forward to the next album after the sickening one (with > such low points as 'heads...'). > In 'Candle in the Wind' there is something of that 'here it is, > I don't care' daring from her best effort. Exactly! I also felt that it showed promising touches of the approach that Kate began talking about after TSW. She reduced CitW to it's basic elements and built from there to create something much more subtle in its complexity than most cuts on TSW. Kate refered to it as a simplicity that art should have. I'm not very excited about the results in this case, but I still feel that approach would be a step in the right direction. Interestingly, I was (as I think many here were) assuming that CitW was a cut rushed together recently to serve as a B-side for RM. The latest Homeground claims, however, that the cut was done back in '89 but set aside since the record company prefered RM. "Don't drive too slowly." Richard Caldwell The Big Sky BBS (+1 614 864 1198) {n8emr|nstar}!bluemoon!bsbbs!nrc nrc@bsbbs.UUCP