No Subject

[Stephen Thomas <spt1@ukc.ac.uk>]

To: rec-music-gaffa@kestrel
Path: harrier.ukc.ac.uk!spt1
From: spt1@ukc.ac.uk (Stephen Thomas)
Newsgroups: rec.music.gaffa
Subject: Re: Call and response
Message-ID: <7925@harrier.ukc.ac.uk>
Date: 3 Jul 91 10:18:29 GMT
References: <1991Jul2.232454.27504@ux1.cso.uiuc.edu> <9107030116.AA04942@lewhoosh.umd.edu>
Reply-To: spt1@ukc.ac.uk (Stephen Thomas)
Organization: Computing Lab, University of Kent at Canterbury, UK.
Lines: 18


I may be putting my foot in up to my neck here, but isn't there an example
of this in "Don't Push Your Foot On The Heartbrake"?  I mean, the
part where she sings

        "Dripping beads,
               Red, red on the parquet.
         Dripping beads,
               Red, red on the parquet."

or something like that.  As I recall, the first line of each couplet is
sung in a slightly lower voice than is the second line.

Stephen
-- 
| "You've been having a nightmare.  | Stephen Thomas -------------------------|
|  And it's not over yet."          | Email: spt1@ukc.ac.uk; Smail: Computing |
|   -- Roger Waters, "The Pros and  | Lab, University of Kent, CT2 7NZ, UK;   |
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